tag:blogger.com,1999:blog-27189241692362565202024-03-10T20:23:47.390-07:00arquitetura do sagrado. arte sacraArq.Eduardo.Faust.
Arquitetura SacraArq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.comBlogger107125tag:blogger.com,1999:blog-2718924169236256520.post-24967850818524836712023-06-21T13:16:00.000-07:002023-06-21T13:16:35.500-07:00Igreja Nossa Senhora Aparecida | Gaúcha do Norte MT<div>■ Localização | Gaúcha do Norte MT <br />■ Diocese de Primavera do Leste – Paranatinga <br />■ Pároco | Padre Giovani Brunetto <br />■ Autor | Arq Eduardo Faust <br />■ Projeto Arquitetônico, luminotécnico e mobiliário | FAUST arquitetura e engenharia</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNLqAZlThLtzsKVSbIliSWWkGszlVBKVr5JN57Pkeka5Q4_wD5J-7-B0co2Z7pDOMjk17doVH3bOzajWA9TFzuSOZpImiE11Tgw343s0qP8m-XZq4jR-13A1oWYa5l4Huqoqpat3QnFeeiYhqaAQ2D7CPCVRzdlhFdZpAYOiRNC83RBCTXoS1UH8xL/s3250/20220501_094902-01.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3250" data-original-width="3000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNLqAZlThLtzsKVSbIliSWWkGszlVBKVr5JN57Pkeka5Q4_wD5J-7-B0co2Z7pDOMjk17doVH3bOzajWA9TFzuSOZpImiE11Tgw343s0qP8m-XZq4jR-13A1oWYa5l4Huqoqpat3QnFeeiYhqaAQ2D7CPCVRzdlhFdZpAYOiRNC83RBCTXoS1UH8xL/w591-h640/20220501_094902-01.jpeg" width="591" /></a></div><div><br /></div><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbTV5MthbdZM5c9-zCalilWsChDZcqokHHIZXwZscN8pRcO01xx4HLxJjBQUluiWY-R_bcMr_heVW7EjalB_cZC_YrObQGXnUVjUPvk15P5woEoB7xy38tyNND1h7uJH8HDy-VjpOiimUn07K0ZW7Ii7fkHwgtfaec-yIOIbzubMBBPE5SCnfTv_Z-/s4000/20211029_234538-01%20(1).jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="4000" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbTV5MthbdZM5c9-zCalilWsChDZcqokHHIZXwZscN8pRcO01xx4HLxJjBQUluiWY-R_bcMr_heVW7EjalB_cZC_YrObQGXnUVjUPvk15P5woEoB7xy38tyNND1h7uJH8HDy-VjpOiimUn07K0ZW7Ii7fkHwgtfaec-yIOIbzubMBBPE5SCnfTv_Z-/w640-h480/20211029_234538-01%20(1).jpeg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkcU_M9AKpGbKpn6__YfcmQ_dSzeFmAu9p1yJuRyLR1l1pC-8OTgG3dPlFjT_9ajq0NdMcTZIeQRufrkGtng1JHgw7HYsQO9hmc4bk1oDRoFbzqDpYo17TfFy7uA78m8ylUbjH4Y_1C-hw3i0q9V5uXQaSkYSIBc8FT_EV11_d12_a0z_zu_LOTgYs/s1944/252469322_4904530342890251_9081869008512845572_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1296" data-original-width="1944" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkcU_M9AKpGbKpn6__YfcmQ_dSzeFmAu9p1yJuRyLR1l1pC-8OTgG3dPlFjT_9ajq0NdMcTZIeQRufrkGtng1JHgw7HYsQO9hmc4bk1oDRoFbzqDpYo17TfFy7uA78m8ylUbjH4Y_1C-hw3i0q9V5uXQaSkYSIBc8FT_EV11_d12_a0z_zu_LOTgYs/w640-h426/252469322_4904530342890251_9081869008512845572_n.jpg" width="640" /></a></div><p><strong>Batistério</strong></p><p>Quando o messias veio até nós, o sábado (shabat) o sétimo dia da semana ganha uma continuidade, uma nova aliança, o dia do nascer em cristo, o oitavo dia. Um homem e uma mulher batizados em nome da trindade adentram a este oitavo dia e passam a viver em Cristo. O formato octogonal da pia batismal nos fornece esta catequese. </p><p><strong>Capela do Santíssimo</strong></p><p>O santíssimo - O tabernáculo - O sacrário - o local onde abriga o corpo de Cristo. É o local de continuidade da missa, a transubstanciação que acontece no altar é acomodada em seu interior, desenhei o sacrário com a Cruz do sol nascente, da ressurreição, e em seu centro a pedra vermelha simbolizando a ressurreição do sangue e da carne de Cristo. Ele é uma caixa de metal ao qual rasgos expõem a luz dourada que cintila de seu interior. </p><p>Sobre ele está a lâmpada do santíssimo que simboliza a presença ininterrupta do divino. Ela foi desenhada como uma esfera que em seu interior pulsa o Sagrado Coração de Jesus.</p><p><strong>Ambão</strong></p><p>O altar é uma peça comum entre muitas religiões, porém, o ambão, a mesa da palavra, é algo mais específico das religiões Abraâmicas, ao qual pertencemos, é a religião do livro, a religião da Palavra com P maiúsculo. Ele descende do Bimah (bema) Judaico e foi muita peça tradicional no primeiro milênio da igreja sendo resgatado no Concílio Vaticano II. </p><p>Tradicionalmente a mesa da palavra se localizava na nave das igrejas (por isso aqui o desenhei emergindo da assembleia alcançando o presbitério). Muito mais que uma mera estante de leitura, o ambão é um local, um espaço físico onde o sacerdote ou o leigo se eleva para proclamar a palavra. Eleva-se; pois uma das origens da palavra Ambão origina-se do grego que significa “local elevado”.</p><p><strong>Presbitério</strong></p><p>Coloquei no eixo central do presbitério esta grande Cruz para que a cristocentricidade em nossa doutrina seja exaltada. O número 3 da trindade (pai, filho , espírito santo) e dos 3 membros da Sagrada Família (Jesus Maria e José) estão nestes 3 arcos. Três arcos fazem fundo a cena do calvário, o momento da redenção de nossos pecados, o cordeiro de se deixou imolar para nossa salvação. </p><p><strong>Altar</strong></p><p>O centro da liturgia, o Altar. O altar é ponto ao qual o céu toca a terra, com nossas orações transformamos o pão em carne e o vinho em sangue. O local do sacrifício do cordeiro de Deus que tira os pecados do mundo também é a mesa do grande banquete eucarístico, da memória da Santa Ceia. Criei o altar para que seu desenho atenda a estas duas dimensões: o peso do altar do sacrifício; e o formato de mesa da eucaristia.. </p><p>A ligação do ceu com a terra é tradicionalmente representado com números: o 3 representa o céu e o 4 (dos 4 pontos cardeais) representa a terra, logo o 3 somado ao 4 simbolizam a união destes dois mundos.</p><p><strong>Nave</strong></p><p>No corredor central um espiral de círculos que simbolizam os obstáculos e as experiências da vida do fiel do seu nascimento do primeiro círculo até o último em frente ao altar - A salvacao. Eles se aprecem com a NS desatadora de Nós, ao qual cada círculo (cada nó) é um novo obstáculo e ao superá-lo e aprender com esta experiência, o fiel parte para o próximo. E voltando aos números, são 43 nós, 43 círculos ….o 4 do mundo + o 3 do céu. O homem que nasce na terra após experimentar círculo após círculo sua vida em cristo encontra sua salvação no reinos dos céus. </p><p><strong>Campanário</strong></p><p>No campanário, 3 pilares principais que convertem-se nos 3 arcos no topo e assim como no presbitério representam a Trindade e os membros da sagrada família). Estes arcos sustentam e nos levam até a Cruz, que é Cristo. O arranjo estrutural da torre nos revela que a trindade e a sagrada família são os alicerces e nos guiam no caminho da salvação em Cristo. </p><p>Uma das versões da mitologia de São Cristóvão conta que ele era um homem de porte avantajado e extremamente forte, seu objetivo era servir ao mais temido dos seres. Serviu ao Rei, quando viu que o rei temia o diabo passou a servir o diabo, quando viu que o diabo temia a cruz foi buscar Cristo, foi batizado e educado no cristianismo e passou a auxiliar no transporte de pessoas em seus ombros através de um rio muito perigoso. Um dia São Cristóvão transportando uma criança passou a sentir um peso, e mesmo com sua força descomunal… não pode suportar, e o menino disse: Eu sou aquele que todos temem, que você tanto busca, e você acaba de sentir o peso dos pecados do mundo. </p><p>Cristóvão = Aquele que carrega Cristo. </p><p></p><p>Os arcos da fachada também simbolizam os braços de São Cristóvão carregando a cruz (Menino Jesus). Os braços que sentem o peso do pecado do mundo é a estrutura que sustenta esta bela obra construída com o esforço de cada um de vocês, membros desta comunidade, esta casa de oração que nos convida a perdoar o próximo e viver na caridade. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyFJabxSo-Dbp7zf_BbObXAIDhZH_NaulCaU6LKfdIMLClBqewt-5K9DQCQxQC2dWL1ZEvrc1aHsNcKEDOlzni5fDnliKUTRxo4NsyNyLQawviW-QrBUPko5l2yDCJVswzEly6oUCLSdAZyBTU71TGKMQxGw0j-Yn-TaKI5j0nZyO_xW_ldzeSWOUR/s1944/252797415_4904550202888265_3823065098467456575_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1296" data-original-width="1944" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyFJabxSo-Dbp7zf_BbObXAIDhZH_NaulCaU6LKfdIMLClBqewt-5K9DQCQxQC2dWL1ZEvrc1aHsNcKEDOlzni5fDnliKUTRxo4NsyNyLQawviW-QrBUPko5l2yDCJVswzEly6oUCLSdAZyBTU71TGKMQxGw0j-Yn-TaKI5j0nZyO_xW_ldzeSWOUR/w640-h426/252797415_4904550202888265_3823065098467456575_n.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><br /></div><p></p></div>Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-27132250951032750662020-07-12T20:21:00.002-07:002020-07-12T20:31:09.381-07:00■ Santuário Nossa Senhora de Nazaré | Barcarena PA | Autor Arq Ed.Faust<div>
■ Localização | Barcarena PA</div>
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■ Diocese de Abaetetuba – Paróquia São Francisco Xavier</div>
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■ Pároco | Padre Idaltino Prazeres</div>
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■ Autor | Arq Eduardo Faust</div>
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■ Projetos | FAUST arquitetura & engenharia</div>
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"Hoje a imagem peregrina de NS de Nazaré veio em procissão para Barcarena PA. Uma solenidade muito bonita e organizada, foi presidida pelo padre Idaltino Prazeres, com presença das autoridades municipais e das pastorais. Obrigado aos guardiões da imagem peregrina que me deram a honra poder segurar-la.<br />
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A solenidade da pedra fundamental foi o encerramento, antes de enterrar-la, apresentei o projeto do novo Santuário de NS de Nazaré de Barcarena.<br />
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As palmas durante a apresentação deixaram claro que aquele projeto que trabalhei tanto, agora não é mais só meu, é de todos devotos de NS de Nazaré.<br />
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E o momento que me deixou sem palavras e que nunca irei esquecer, foi quando vi que muitos choraram ao ver o projeto.<br />
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Obrigado a todos paroquianos de São Francisco Xavier."<br />
Eduardo Faust<br />
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<tr><td class="tr-caption" style="text-align: center;">Cafeteria, Auditório, Secretaria e Loja do Santuário.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Columbário<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihk4QXx11sxQtFcq9fQCu97rOyXSo1YERfZikw3X7NAoxf_Qfpx9w9CQNIR4V1IbKAmdoOJalQLHhUAe9aSpNsXVOemfIgahmdBex6k8693V_LIrH-9YrtuTnEDi5XgTlWxFmxR34rdOY/s2048/254+Santu%25C3%25A1rio+NS+de+Nazar%25C3%25A9+%255BBarcarena+PA%255D+INT+08.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Nave Lateral" border="0" data-original-height="1152" data-original-width="2048" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihk4QXx11sxQtFcq9fQCu97rOyXSo1YERfZikw3X7NAoxf_Qfpx9w9CQNIR4V1IbKAmdoOJalQLHhUAe9aSpNsXVOemfIgahmdBex6k8693V_LIrH-9YrtuTnEDi5XgTlWxFmxR34rdOY/w640-h360/254+Santu%25C3%25A1rio+NS+de+Nazar%25C3%25A9+%255BBarcarena+PA%255D+INT+08.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nave Lateral</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Capela do Santíssimo</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Auditório</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbRvDWuFlVEG30dLHk9o3vFHG6cFjqki3IlaSmkrvDXctGGuJajMqY7lfZGNNlVDFMaOejmdQhr6ZZGIjk0TxWKaUZ7PzZHXnzKVeXb15AFabRUlcsuwi4fFyBEWFX-u4PbID6H64lJRA/s2048/254+Santu%25C3%25A1rio+NS+de+Nazar%25C3%25A9+%255BBarcarena+PA%255D+INT+52.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1152" data-original-width="2048" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbRvDWuFlVEG30dLHk9o3vFHG6cFjqki3IlaSmkrvDXctGGuJajMqY7lfZGNNlVDFMaOejmdQhr6ZZGIjk0TxWKaUZ7PzZHXnzKVeXb15AFabRUlcsuwi4fFyBEWFX-u4PbID6H64lJRA/w625-h351/254+Santu%25C3%25A1rio+NS+de+Nazar%25C3%25A9+%255BBarcarena+PA%255D+INT+52.jpg" width="625" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Casa Paroquial</td></tr>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0Barcarena - PA, 68445-000, Brasil-1.5123997 -48.6196129-9.9900778490894986 -57.4086754 6.9652784490894994 -39.8305504tag:blogger.com,1999:blog-2718924169236256520.post-50544896088053782432020-07-06T05:45:00.001-07:002020-07-07T06:30:02.507-07:00■ O anonimato e o legado de um gigante da Arquitetura Sacra brasileira, Simon Gramlich. <div dir="ltr">
Durante a confecção do projeto de revitalização da Igreja São Bonifácio em <b>Indaial SC,</b> minhas pesquisas me levaram a um tal de <b>Simon Gramlich</b>, e logo vi estava intervindo na obra de um dos maiores arquitetos sacros do país. </div>
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Simão (Simon) Gramlich (1887 Baden Würtemberg DE – 1968 Santa Catarina BR) foi um <b>Arquiteto teuto-brasileiro</b> autor de grande da parte das mais importantes obras de arquitetura sacra no sul do Brasil.</div>
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<img border="0" height="616" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinJbHtYtcfRLFV8jQOtp9gEfCjKHHVpfFIZI6eADcT4JHbRjQkIiAoIJoedzGa8YZsXtklO4K36cOIgTY5dyLSpA2ZWXUzubIGtyQ_9u1WCInXUa2L_10921dBrz2GpUUpQaAQCJhkQ9c/s640/1593993621286388-0.png" width="640" />
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Pouco se sabe da vida do arquiteto, sendo sua obra “redescoberta” anos após sua morte, importante saber que seus anos de trabalho no Brasil foram de 1927 até sua morte em 1968. </div>
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<img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbgWDtxa8wyLjSyCzxStyd9EgZTU0MHVzXzpaBCZfP5uBrM2Wari-l_fcVBWCzVVgHWwor46e8WYu4d2YhctoTo5VjeeaFcoBssn2cubOXYAW6WADJiumCkyMa266JLWJ1PX4u2njZA6s/s640/1593993616811694-1.png" width="640" />
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Gramlich transita em muitos estilos, mas podemos resumir que sua produção em arquitetura sacra focava em 3 estilos: Neogótico, Neorromânico e Art Déco. <br />
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Apesar do seu trabalho focar no estado de Santa Catarina, sua obra de maior escala está no Rio Grande do Sul. Iniciada em <b>1928 </b>a <b>Catedral São João Batista</b> recebe o título de maior igreja em estilo <b>neogótico </b>tardio da América Latina. </div>
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<img border="0" height="465" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUlfT8XQ4-K6KldOJSXURe0_C19bDvA3DhwQvXlRcBv59FoaIpPSf97TGSwtdlgLjEyeoaWpUJmq6l-pP3QrGx8vcQHn4QiuiuHhUCDJ1NPcJOz937Xy_7ZQSxsXIJ_zBmr0Y5GDl6Qkk/s640/1593993612758548-2.png" width="640" />
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<span style="letter-spacing: 0.2px;">O meu projeto favorito do arquiteto gera uma situação interessante, o mesmo projeto está construído em <b>3 cidades distintas</b>: </span></div>
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<span style="letter-spacing: 0.2px;">Igreja Matriz Puríssimo Coração de Maria em São Bento do Sul, SC (concluída em 1958); </span></div>
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<span style="letter-spacing: 0.2px;">Igreja Matriz Sagrado Coração de Jesus em Antônio Carlos, SC (concluída em 1967); </span></div>
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<span style="letter-spacing: 0.2px;">Catedral São José em Campo Mourão, PR (concluída em 1968). </span></div>
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<span style="letter-spacing: 0.2px;">A bela composição sóbria <b>Art Déco,</b> faz dela símbolo das três cidades.</span></div>
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<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSleBMdUDzkrozRPmHkn45u3aKKq-_Djrb-EwRrb_PttSjJZ8uGzpU0qMDem5nED-YZOLJ4dwXOCCz5TNQKkQwX-Cff8HwMd85z_8NNU4viAb2shNmkU6OSQcsxacjFR7V44rC0VLZCpo/s1600/1593993595630441-5.png" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div dir="ltr" style="text-align: center;">
<span style="font-size: x-small;"><span style="letter-spacing: 0.2px;">Igreja Matriz Puríssimo Coração de Maria</span></span></div>
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<span style="font-size: x-small;"><span style="letter-spacing: 0.2px;">Catedral São José </span></span></div>
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<span style="font-size: x-small; letter-spacing: 0.2px;"></span></div>
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<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6o-kvmJShoFzyTpeIUhZ-0_sdgFphJ2CCGhWNTKb6gPmvvr6y1Z3BR6Lcakl9PN_wSY3685EbL61N0KjgN2xH3ZlCJUc_LTNewxyK32dQzAr6_fkkEf6DR3p9IzIykBEJ1LRkxDheJAE/s1600/1593993585291841-6.png" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div dir="ltr">
<span style="letter-spacing: 0.2px;">Catedral São José</span></div>
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<span style="letter-spacing: 0.2px;">Igreja Matriz Sagrado Coração de Jesus</span></div>
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<span style="letter-spacing: 0.2px;"></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="473" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCWvZ3WmLT_LARyCOqc1WQOTV25ugvzdKQ1wpkiHST0KcJQuaDyn7orwVBSN9XeA0tTBwhpNY-SclH-b1At7i7NJCbIE_i-NVv2w626MIdVZlIdyS8PvN-2HDs3iVqyHr04z8j-bE4EV4/s640/1593995920560952-0.png" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="separator" style="clear: both;">
<span style="font-size: x-small; letter-spacing: 0.2px;">Igreja Matriz Antônio Carlos</span></div>
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<span style="font-size: x-small; letter-spacing: 0.2px;">Igreja Matriz Puríssimo Coração de Maria.</span></div>
</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCCMX2vDXtewc24Y9zDFvT1JrPvMgm0BOHDIrXX49LWW2YrD1nlfJISyItj5dv9wGsoIok4Epha0alR3AzKBrmpaHYJELJNu8wygd6JApnNYus8DeWgWjB7KkweAyTfZWgHW_MKbUy4uw/s1600/1593995914436960-1.png" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="text-align: start;">Igreja Matriz Puríssimo Coração de Maria,</span><span style="text-align: start;">Catedral</span><span style="letter-spacing: 0.2px;"> São José</span><span style="letter-spacing: 0.2px;">Igreja Matriz Antônio Carlos</span></span></td></tr>
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<div dir="ltr">
<b>Cidade Venâncio Aires </b></div>
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Igreja Matriz de São Sebastião – 1929</div>
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<img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-9O24s6aLM3zid676EIhBG5e4QhIU7j8T2QMO2lHRc7Pi16svGBHwE3tdcN0t2SsDFjCuGpp3JZMf0ziWTq9kzarRF18kDZp3p4BoiObZp_0u6Vt6uVCyRTRwCnwQm-0oSdxh1j8-TOw/s640/1593995909391494-2.png" width="332" />
</div>
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<img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-cp1_d-stt9AqWq9eCiEfQxB2UXvZ7yY0tLJZpqQ5C3TkpH5zPvxmmuBnVoBSoglvhliVbhmO-JHk1lFWE29dwILjOUAcu_ruXj-hE9nOexRvkY8in7D9K5WlT20RdDEC5hznSSBQZkE/s640/1593995900384578-3.png" width="640" />
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<img border="0" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJw0acMk4COIbP4flbtoCaSsZpfRHHbzl8FlVwL-qAj79zHuVurbWCKBGsQn0jYgYpymPvKcT1cgzY7EYQ0O3JeHjGZ5QAou95twPLw3uq-2LwmHBuKkvYIfOHhuBBH00HyBVuw6M4sm0/s640/1593995896282414-4.png" width="640" />
</div>
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<img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfewKpowVNrXSkfQO24Zgoi-OkmH3VACYUA_8nn1KXLOdPcxaiIIcMsJ_PnPKJNeFyJYEY6qSP9N0lAYMyDaEl98aAJYhO7svpf-LmwTiyvSqcWXO5ZEUFfKGGV_3fEWjNRs5sPpJk51Y/s640/1593995887081524-5.png" width="640" />
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<img border="0" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBKChiiYDG8AANHlFHAMPcqEotmKBDXAjCP9cnnEsxKI1qARK_sE_ryNfyqo7l8_cGDf1dktVZ9dhHF6SIc453T-yBdCYE4DJHcQRHVYwkRc672PW8g38ZcUvqtWj0vemjZk3MgySo7A4/s640/1593995878536813-6.png" width="640" />
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<span style="letter-spacing: 0.2px;"><b>Cidade Sinimbu RS</b></span></div>
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<span style="letter-spacing: 0.2px;">Igreja Matriz Nossa Senhora da Glória 1927</span></div>
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<span style="letter-spacing: 0.2px;"><br /></span></div>
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<img border="0" height="614" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixqbE7bNQTUu_lc9lZg2lHjrUSv5AnK3811jdhRvrlerp3-fS8Mrx7QgSHYetvb9q_u9lNjmCVQeQCe9mQWf9kgZ0gBj_24gH95QFwSUzI1-T0-GAZaQw6ZuLgYz9Y43pZfLnj3_YHYSY/s640/1593995869137946-7.png" width="640" />
</div>
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<img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF5Nx8TNsRcDzzBJlMo1J_6YaSUuIvzBPwSPBBbm3ZCPM86DVEC5h83ZuJkgBF7ZBmnPJBOJZ4yWWUw300EdPo-8sz9M1yS9N88r_E3MD9OOiWsJ62c2bxuY8MAE_kGv0rMxoBxiSus8M/s640/1593995861201226-8.png" width="640" />
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<img border="0" height="454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP6Kx38FuUmRLj63jQujIqlYgCwpAjlu2nS-jTAOF92NaXeKjvtZp29QA7u9mexGEY92GLH7z4f8CzFauU0985PqHu6U3umfxOJWPE1sUnCWp3KyB_oPFXjwiDN6xDOcz-bIu_sxATVT0/s640/1593995850270657-9.png" width="640" />
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<br /></div>
<div dir="ltr">
<b>Cidade Gaspar SC </b></div>
<div dir="ltr">
Igreja Matriz São Pedro Apóstolo 1944</div>
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</div>
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<img border="0" height="582" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnLgD7w2RIdrOZS2MATbUfHDaeuUET72cbQIyA60pD1OJt8bVQ3FS5uALGkGdXw8ykQL7-VL-pM8h3HoURSBD0N2fE5xWJE2pReTEGsIlkdBGpcSUUQpL5eO9r8kLIAZ-Cvw64sgtG9dg/s640/1593995846268228-10.png" width="640" />
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<img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinBo8yfJHAporWV3qtsKsllzui0rOhkxOUNOFNNN4Kl_icO2Qf_D9lPxsCKZteAPLuRstwNx9Ot_1-jYnv6Gr_0AbFk7VhUNJRHiuQbNzAGpnlAUvnreMUfcyx1lWlidlAy-gm-HXGd7M/s640/1593995840412653-11.png" width="640" />
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<img border="0" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSARfDvNDNJKzteYo8hBfIjQbv9rNovz4F2kU487-cozMD2tztCORpIabJZ3zaD0tuHxvIME71DZJx4ABl3Pckww8L_Gspa2ff7Zymx8FQW4uRijtLHaJqs2chwPIL44i5KzErXdRCJxM/s640/1593995833568765-12.png" width="640" />
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<div>
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<br />
<b>Cidade Indaial SC</b><br />
Igreja São Bonifácio. </div>
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<div>
Quando fui contratado para fazer o <b>projeto da revitalização</b> do presbitério fiz questão de respeitar a linguagem arquitetônica presente pois vi que tinha uma unidade estética no desenho. Durante a pesquisa cheguei a um tal de Simon Gramlich, este ilustre desconhecido de tamanho legado. </div>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitfOzqV03o3Euw9Pj4q4MKK20rbGG61_Eb1v39ZyklB6JwkvvEUQiVLHiV66-QwDAms0HaoV-8xR7WgjHluxHcEOmHs3IMTBCmeU1m3xVsE3Rr_yzm00KAdxXMro4lHazoIW-tVsy4vR0/s1600/1594001585119857-0.png" width="400" />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuPlxmvphd7UEGyVx8yGcd1zJbloRjksCRmHlSVTCdZbIFp0Pql3soF_YKvUcg02PI-Csfrbsf6tGKOGo2EacosyqwPotrhLH-X5uYF6ZP098bRP0jEVosRSTKvYOqqDOv5qpeodVicZ8/s1600/1594001575339071-1.png" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Projeto e situação anterior com altares improvisados</td></tr>
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<tr><td style="text-align: center;"><img border="0" height="585" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2wx9oXOGEB01-u1_KBI9Q5IN5SGQ0SF-yix6xDinz6Mxta6W9Pk8PLTX3hwuJ5X2qASYnYfTQQUs6ysw4MegueS_0v7oplsS8VfpgbohNOFEMrmqXRsPIj2NVr_CySfxW696N2R0Dn1U/s640/1594001571413555-2.png" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Projeto do presbitério finalizado</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuai0DlVZNj2CXtvF5xhBV1Wpao_gbFzG-5mU_-Cstf7wUTrrSmOw6VDbjhjliXRGptxRQh9aRCfb6G1Q3Fh7lYi3PrmMRl4P_UeUa8QyNHMPiRslZJq6EY4LO9TiPMzNkj0b8B_HO0LU/s1600/1593999041222413-3.png" style="letter-spacing: 0.2px; margin-left: 1em; margin-right: 1em;"></a></div>
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<img border="0" height="441" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuai0DlVZNj2CXtvF5xhBV1Wpao_gbFzG-5mU_-Cstf7wUTrrSmOw6VDbjhjliXRGptxRQh9aRCfb6G1Q3Fh7lYi3PrmMRl4P_UeUa8QyNHMPiRslZJq6EY4LO9TiPMzNkj0b8B_HO0LU/s640/1593999041222413-3.png" width="640" /></div>
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<b>Cidade Itajaí SC</b></div>
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Igreja Matriz Santíssimo Sacramento - 1941</div>
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<img border="0" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFbiTd_F0Ii8lLR69nHGiDC5mC68NwpCuXrdfTHYk8bhjH4R4r2G2WK5sTeIArAeyllk20eSWVzUXDSZB1Lj5eDyh7N2pOdGf3GoTKpr6X4WbcetlTWGtSttWa_j7ntBOoe1xD0BkjBmY/s640/1593995821807018-13.png" width="640" />
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimgnyjRs__X7iY_xENIi-Pi9vk_27u1uhnT6oevKrhGmMqqzUbld77al35FYzgSPgFdfOFMwhFxyg7AcQyXtpMYuxnXZfdxTtKxsPcfSFegRsqdZMBhItLBTL9LX5NZGgbL75gje7o61w/s1600/1593995817570934-14.png" width="400" />
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<img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJdAQ817bNDDqaf1LfY9QKwJcXDy8Tj49CP6gLd6JNCjZuT5cf2O_dop7hIpSm4gBv1rRDRFLL3ZFFrL0X9sAlPk5xb9mzGrq9QOLENGFVyFwK4dO6bG8TXrhHk9Qx_BlpF4zKc2g12s/s640/1593995812739524-15.png" width="390" />
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<img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3MM007vH5fo3XI7QMRvTXncuwD24xN_nK4fv5p-1UF5rsg0xEPNZos1D5ZcHsWHfgVLL38eEXXwwqDD9tB16tqKsDlr9ZjdsnGSyoLcYQqzUdJflLX5CnZg9zatePG6wUPV-3OuTLvCc/s640/1593995807996866-16.png" width="640" />
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<span style="letter-spacing: 0.2px;"><b>Cidade Rio do Sul SC</b></span></div>
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<span style="letter-spacing: 0.2px;">Catedral São João Baptista 1949</span></div>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh27xOmMWGnLQ7SbSR8nMzMbQO2-YoB4YQc7BLHmufQExbyRDT4x6EIJS2I6sqRS6UK2AXmxgCHp4FGm4QnBdzhb4CKa-EPZ3NuWvvr4wE07mlGhvEfROdIiialrKvnTcsf6Lx_tz7IIqE/s1600/1593995801597677-17.png" width="400" />
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<img border="0" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhekXpIeu61uTg4jr1UqR0VqpNnXToy2I1TF4bLwRcBBds2pKObY7tEhiV0GueK2Owk0jJFkMv9ufIpu8HjQFWl_UFln-xwYIT6ds_e6e20QpzVJuQrDatJRINks2PlwIJerMm6dnVjCew/s640/1593995796730392-18.png" width="640" />
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<img border="0" height="433" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilakfhMHpVmV2KN1L5p5PPRhbzCIIj2Z2Gv-0ZPmHR6Z3oyNAbAgAcfB3uN2TG7YIgLldDa_CuX8VsKgi4JgZ7sWU7F9v0FLkAtdhbN2aA64yasr-hyVcisZbAoom8fAdeeNoSr231NCo/s640/1593995792948688-19.png" width="640" />
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<div>
<span style="letter-spacing: 0.2px;"><br /></span></div>
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<span style="letter-spacing: 0.2px;"><b>Cidade Brusque SC</b></span></div>
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<span style="letter-spacing: 0.2px;">Santuário Nossa Senhora de Azambuja 1939</span></div>
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<b>Cidade Indaial SC</b></div>
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Igreja Matriz Santa Inês </div>
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<b>Cidade Ilhota SC</b> - Igreja Matriz São Pio X </div>
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Arq Eduardo Faust</div>
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faust@faust.arq.br</div>
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Referências:</div>
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WITTMAN, Angelina - Simon Gramlich - Arquiteto alemão com uma obra imensurável no Brasil e vida cheia de mistérios. Disponível em<br />
<a href="https://angelinawittmann.blogspot.com/2019/04/simon-gramlich-simao-gramlich-no-brasil.html">https://angelinawittmann.blogspot.com/2019/04/simon-gramlich-simao-gramlich-no-brasil.html</a> Acessado em 01 de jul de 2020 - 14:30h.</div>
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Jornal do Médio Vale. <span style="letter-spacing: 0.2px;">Disponível em</span></div>
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<a href="http://www.jornaldomediovale.com.br/on-line/cotidiano/comunidade-s%C3%A3o-bonif%C3%A1cio-150-anos-1.2200360">http://www.jornaldomediovale.com.br/on-line/cotidiano/comunidade-s%C3%A3o-bonif%C3%A1cio-150-anos-1.2200360</a></div>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-32383245822029482020-06-09T10:57:00.000-07:002020-06-09T10:57:54.812-07:00■ Lâmpada do Santíssimo | Orbe Sagrado Coração<span id="goog_1295522995"></span><span id="goog_1295522996"></span><br />
<img border="0" data-original-height="1241" data-original-width="1600" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxZOW1MV63ZL243UKh8nBfQyAWXRCfrqZmoy0esdYSpUT_EHtbDk41Y-w1heGSuaorTmIRVhAVqHV0kP34EACZGOx3ec7g7zpEFlR0GxgpJkU3zEahyUuT-Mt0cvXbmQUPpYPi_R_AbGw/s640/20200607_183215.jpg" style="text-align: center;" width="640" /><br />
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LS02 Lâmpada do Santíssimo | Orbe, Sagrado Coração.<br />
Autor Arq Eduardo Faust<br />
Execução e venda Marconato Arte Sacra.<br />
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O Sagrado Coração do Cristo Rei.<br />
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“Jesus, lembra-te de mim, quando entrares no teu reinado” Lc 23, 42.<br />
Orbe nas artes simboliza a realeza - O Cristo Rei.<br />
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Dentro da esfera interna (Orbe) a Luz que indica a presença permanente do corpo de Cristo no interior do tabernáculo.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXirodYqrpfNfxWEk-SqK0TV_uC5eTQWhxe9DZJ4FUh1E3eq3H2lTsYyyGPOXEw45Fd9LQzLuhp-B8D-NTRhyiCVrcCTh4gBnPxiq25rzpBK_1d6jN4LTpUP9ELIf2emZel6_9-_swxJg/s1600/Andrea_Previtali_-_Salvator_Mundi_-_Google_Art_Project.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1600" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXirodYqrpfNfxWEk-SqK0TV_uC5eTQWhxe9DZJ4FUh1E3eq3H2lTsYyyGPOXEw45Fd9LQzLuhp-B8D-NTRhyiCVrcCTh4gBnPxiq25rzpBK_1d6jN4LTpUP9ELIf2emZel6_9-_swxJg/s320/Andrea_Previtali_-_Salvator_Mundi_-_Google_Art_Project.jpg" width="273" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Andrea Previtali 1528</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwnKuh0qWvo4zZIh7-dxyn1fzIOUTbbRpWUvUENpqpV6EdXi3ObOYU9LS9tspltd1jv7vYst9DfvGdRTqSaKLQVxTtxqlmfG7h8i6vHPrfjGcuT9phK3fk3fZWrH6OX7LjocEC7hJz0sc/s1600/Cristo_di_Antonello_da_Messina.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1010" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwnKuh0qWvo4zZIh7-dxyn1fzIOUTbbRpWUvUENpqpV6EdXi3ObOYU9LS9tspltd1jv7vYst9DfvGdRTqSaKLQVxTtxqlmfG7h8i6vHPrfjGcuT9phK3fk3fZWrH6OX7LjocEC7hJz0sc/s320/Cristo_di_Antonello_da_Messina.jpg" width="243" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Antonello de Antonio 1450</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1PNqy3aSNJlTXhfeQD34FNL35-AxR0VtqcFHuAc7IUxUT-Kf0wUiFgh8Ix4KaOdTLuxjgAAMV_AcgUJibvYBOGpspwRKyNOPPpx6IwglTwNAsPGapqX8diGu43I-aaGkRsu0dnDyztEE/s1600/Sacred_Heart_1770.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="824" data-original-width="673" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1PNqy3aSNJlTXhfeQD34FNL35-AxR0VtqcFHuAc7IUxUT-Kf0wUiFgh8Ix4KaOdTLuxjgAAMV_AcgUJibvYBOGpspwRKyNOPPpx6IwglTwNAsPGapqX8diGu43I-aaGkRsu0dnDyztEE/s320/Sacred_Heart_1770.jpg" width="260" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">José de Páez, 1770</td></tr>
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<img border="0" data-original-height="770" data-original-width="770" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisTObUEoz5WDI4xd0sLNxKoOpph-2Dqixo_W_FR3jfRlSh43PwUgTJsevJb1zxMgQAvSHo9WuamhI-U9Y2mGNP_hhJB9FBtEIPcYLFyWxvPs3MwTGAfnWEqHRX7Q-SgWMwxXM5nV9FopI/s320/20200607_221759.jpg" style="text-align: center;" width="320" /><br />
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O conjunto compõe a humanidade de Cristo - O Sagrado Coração de Jesus.<br />
“Nunca pude separar a devoção ao Coração de Jesus da devoção ao Santíssimo Sacramento; e nunca serei capaz de explicar como e quanto o Sagrado Coração de Jesus se dignou favorecer- me no Santíssimo Sacramento da Eucaristia”.<br />
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Maria do Divino Coração</div>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-41960914819174643412019-11-08T07:14:00.001-08:002019-11-08T07:57:36.399-08:00■ VI Congresso Internacional de Arquitectura Religiosa Contemporânea CIARC | Porto, Portugal<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn8HZgtnVGkJzOIy9D5FFq7xj-wg6uDa_smkAdkiMVnWxffZGukNmKw8fko4MsKK1lVJGBhaZhojvQg5rpjJlXibra4IEcUV8gGc1d8QDpMNaltMbWPFGXt-Lf3HXkALyb1Gn2VyNe1ak/s1600/IMG-20191010-WA0010-01.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="790" data-original-width="1280" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn8HZgtnVGkJzOIy9D5FFq7xj-wg6uDa_smkAdkiMVnWxffZGukNmKw8fko4MsKK1lVJGBhaZhojvQg5rpjJlXibra4IEcUV8gGc1d8QDpMNaltMbWPFGXt-Lf3HXkALyb1Gn2VyNe1ak/s640/IMG-20191010-WA0010-01.jpeg" width="640" /></a></div>
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Do dia 10 a 12 de outubro de 2019 aconteceu o VI CONGRESO INTERNACIONAL DE ARQUITECTURA RELIGIOSA CONTEMPORÁNEA na Biblioteca Histórica do Seminário Nossa Senhora da Conceição do Porto na Cidade do Porto, Portugal.<br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small; text-align: start;">Seminário Nossa Senhora da Conceição do Porto na Cidade do Porto, Portugal.</span></td></tr>
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Dois dias intensos de palestras e comunicações intervenções sobre patrimônio religioso após o Concílio Vaticano. Congressistas de Portugal, Espanha, Itália, Alemanha, Bélgica, Croácia, Hungria, México, Brasil, Venezuela, Argentina, Chile e Austrália.<br />
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O tema da minha conferência foi sobre Desafios e soluções ao intervir em "igrejas barracão" no Brasil. Tratei dos aspectos históricos socioeconômicos que nos levaram a adoção do padrão barracão industrial em nossas igrejas e algumas soluções de minha autoria. Artigo estará disponível no site do congresso.<br />
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O congresso teve a excelente organização de João Luis Márques, João Alves da Cunha e do fundador e homem por trás dos CIARCs: professor dr Esteban Fernández Cobián.</div>
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O tema foi: Arquiteturas para uma nova liturgia. Intervenções no patrimônio religioso depois do Concílio Vaticano II.<br />
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Destaco algumas das conferências apresentadas<br />
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Aula inaugural. Bert Daelemans (Bélgica)</div>
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Pueblo de Dios, Cuerpo de Cristo y Templo del Espíritu. Matices e implicaciones eclesiológicas de la arquitectura eclesial postconciliar</div>
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Fernando López Arias, Roma (Italia)</div>
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El proceso de renovación de la arquitectura sagrada católica a través de la normativa eclesiástica (1969-2013)</div>
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Massimiliano Valdinoci, Verona (Italia)</div>
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Adapt to celebrate. The cathedral ecclesia mater as paradigm of the liturgical reform of the Second Vatican Council: the Italian experience</div>
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María Diéguez Melo, Salamanca (España)</div>
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Estética neocatecumenal y adecuación litúrgica: de la mímesis estilística a la generalización de modelos</div>
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Zorán Vukoszávlyev, Budapest (Hungría) </div>
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Dümmerling's guiding manual for transformation of sacred spaces. A Central-East-European approach in an atheistic political environment after WW2</div>
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Walter Zahner (Alemania)</div>
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Working Together - Sacred Space(s) and Contemporary Art(work)</div>
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Analía Benítez, Mar del Plata (Argentina)</div>
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La admisión del arte moderno en un templo patrimonial neogótico: anticipo de intervenciones edilicias para una liturgia posconciliar. El Retablo Eucarístico de la Inmaculada Concepción en la Catedral de Mar del Plata, Argentina</div>
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Carla Zito, Turín (Italia)</div>
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Parish churches, patrimony of the Community or of the Diocese? Community interventions and supervision of the Dioceses</div>
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<div style="text-align: right;">
Christian Seegerer, Sao Paulo (Brasil)</div>
<div style="text-align: right;">
Igreja de São José de Anchieta, Pateo do Collegio: a renovação dos locais de culto</div>
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<div style="text-align: right;">
Erzsébet Urbán (Hungría)</div>
<div style="text-align: right;">
Requirements, qualities and solutions. Remodelling liturgical spaces after Vatican II in Hungary</div>
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<div style="text-align: right;">
Francesca Leto, Bressanone (Italia)</div>
<div style="text-align: right;">
Reconciliation of a fracture: the forms of faith in vital becoming in relationship to users</div>
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<br /></div>
<div style="text-align: right;">
Giorgio Della Longa, Roma (Italia)</div>
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Más allá de la penumbra. La adaptación litúrgica de las iglesias italianas y la iluminación artificial</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAgbfxBS2aMHai0I4reMUCbY7aa_DEu8Ix2pewUi7YA64bSl-Z-dZGAfWDoTS4yrqeoDY6dBRro_4nvOo5ubkr0jelWGN3-uWImUxrLGUSQmew5WVI5ZM0RGk3WeNBn1-blfjHV-3XF9c/s640/20191011_083516.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="font-size: small; text-align: start;">Catedral de Porto, anexado a ela está o Seminário Nossa Senhora da Conceição do Porto.</span></td></tr>
</tbody></table>
</td></tr>
</tbody></table>
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<div style="text-align: right;">
Giulia De Lucia, Turín (Italia)</div>
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Disasters, memory and liturgy. Liturgical spaces in the reconstruction process of historical churches damaged by earthquakes</div>
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<div style="text-align: right;">
Jesús García Herrero, Madrid (España)</div>
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Vino nuevo en odres viejos. Propuestas de Fernández del Amo y Bellosillo para la liturgia postconciliar</div>
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<br /></div>
<div style="text-align: right;">
Joao Alves da Cunha, Lisboa (Portugal)</div>
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"Remodelar e ampliar uma igreja antiga não é forçosamente um atentado". Intervenções do Secretariado das Novas Igrejas do Patriarcado no património religioso da diocese de Lisboa (1965-85)</div>
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<div style="text-align: right;">
Joao Luis Marques, Oporto (Portugal) </div>
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Arte e Arquitectura – entre o céu e a terra: a modernidade e contemporaneidade em diálogo com património, a vida de dois espaços de culto de Lisboa</div>
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<div style="text-align: right;">
Luigi Leoni, Pavia (Italia)</div>
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Casale Monferrato, Milá, Piacenza: three cathedrals revisited</div>
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<div style="text-align: right;">
Tobias Bonk Machado, Curitiba (Brasil)</div>
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Patrimônio Religioso: para a cultura, para o sagrado. Os desafios das comunidades católicas brasileiras para compreensão do espaço litúrgico e sua intervenção nas igrejas de interesse de preservação</div>
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<div style="text-align: right;">
Marisol Ordaz y Arturo Román, Mérida (México)</div>
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La conservación del patrimonio edificado religioso en Conkal, Yucatán, México</div>
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<img border="0" data-original-height="1600" data-original-width="1561" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUM2yzLvEENWb0yGefV2aA2lF30bBLTxNQmqDYcRYaoyZHTwxlsBlYBIEeFVobWq1SDgaeZXAx6iXxy4ToqEbRdhTMzfWRRVReKTpomJk0gk3rDCoPRCchnJ_r6JVwt5ndkl5CP9LeSsw/s640/lista+artigos+VICIARC.jpg" width="624" /></div>
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<br /></div>
<div style="text-align: right;">
Michela Pirro, Pescara (Italia)</div>
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The role of the Pontifical Central Commission for Sacred Art in the reconstruction of the Ecclesiastical Patrimony</div>
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<div style="text-align: right;">
Nikolaas Vande Keere, Bie Plevoets y Samuel Goyvaerts, Hasselt / Tilburg (Bélgica)</div>
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The Liturgical Movement and Vaticanum II as a source for architectural transformation of churches in the context of adaptive reuse</div>
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Ricardo Gómez Val y Bartomeu Jané, Barcelona (España)</div>
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Montserrat, ahora y siempre, un punto de encuentro</div>
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Zorana Sokol Gojnik, Igor Gojnik y Marija Banić, Zagreb (Croacia)</div>
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Interventions in Heritage Sacred Architecture after the Second Vatican Council in Croatia</div>
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No último dia visitamos 6 Igrejas contemporâneas em Porto, Braga e Marco de Canavezes.<br />
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<tr><td style="text-align: center;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzpR6AF44M3FYMqcEmzwCVsJI21CAEUj5a8wBxL1wDjiewH8c-5PmUOBPNRNJj_JVouqz7Tt1Dk1bpadngeMaVelUFMdRm3SFr0XtbNFvIBJ0SBU4eZZW0ZSh4XV7rA7VO-TBgMOI9iJU/s640/20191012_133540.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
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<tr><td class="tr-caption" style="font-size: 12.8px;">Igreja da Imaculada, Seminário de N. Sra. da Conceição, Braga. Autor Cerejeira Fontes Arquitetos</td></tr>
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</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTMCI2jUeYoxIvDY1zWmzesCJr3TLZE8wzDxDP2LyVD0-MHnQFnE9kjO3T6c5EVZSPyFgjZGR1_3816pZwGiALURzsjNQqnD0i8Pc_sr72rZaZtuo_3QrHRH61tL6eX9CuIOaHdRO8-1w/s640/20191012_161736.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="font-size: 12.8px;">Igreja de Santa Maria, Marco de Canavezes. Autor Arq Álvaro Siza</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
<img border="0" data-original-height="955" data-original-width="1600" height="382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdYb5U4Qk383knG0r82pAuMb3izWZmJN4uCdkeBjbG8XaL8EXrOoC76rGMieOojN3Q7zJPr_KzF_Ra3jcv2mSURcKOtaHZj8w4Rx9Mn1ET41SGCwIyu9yP_bF_UbyxRdGK2KMVlr4LtME/s640/20191012_144139.jpg" style="text-align: center;" width="640" /><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="font-size: 12.8px;">Capela Árvore da Vida, Braga. Autor Cerejeira Fontes Arquitetos</td></tr>
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<b>Arq Eduardo Faust</b></div>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-39507293857684882232019-01-21T13:28:00.000-08:002019-01-21T13:28:18.141-08:00■ IGREJA SÃO CAMILO DE LÉLLIS | ITAPEVA SP | AUTOR Arq.ED.FAUST■ Paróquia São Roque<br />
■ Pároco | Padre Sueder Domingues<br />
■ Autor | Arq Eduardo Faust<br />
■ Projetos | FAUST arquitetura & engenharia<br />
■ Localização | Itapeva, São Paulo, Brasil
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-38126255774824008342018-12-01T11:51:00.000-08:002018-12-01T11:57:57.070-08:00■ Arte Sacra Barroca | Salvador Bahia<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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Fotos | Eduardo Faust</div>
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Locais | Museu de Arte Sacra, Catedral de Salvador, Convento São Francisco, Igreja NS do Rosário dos Pretos</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7ELS7ogs0OEqve5_b3Faq1uxs1PjLbnc0kk2r3WkXzMaHQC0Fuusf9n1ONPLRomT66yUKnoec3jHyWSw0yTm0E6Fe85ynhgf41Am7mmVnJ_fGpFkaXegkTR9PxWlXDZg_9MBr0lPEWRg/s1600/20181127_134633-01.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1065" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7ELS7ogs0OEqve5_b3Faq1uxs1PjLbnc0kk2r3WkXzMaHQC0Fuusf9n1ONPLRomT66yUKnoec3jHyWSw0yTm0E6Fe85ynhgf41Am7mmVnJ_fGpFkaXegkTR9PxWlXDZg_9MBr0lPEWRg/s640/20181127_134633-01.jpeg" width="640" /></a></td></tr>
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Premonição menino Jesus dormindo, Museu de Arte Sacra de Salvador.</div>
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Uma imagem pouco representada, o que chama a atenção nesta obra em específico é a caveira, em uma visão atual leriamos como uma premonição da sua morte, mas considerando que Cristo subiu aos céus, não existe um corpo muito menos uma ossada de Jesus.</div>
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Lendo a partir da tradição da arte sacra, a caveira representa igualdade: seja você europeu, africano, asiático, homem ou mulher somos iguais em essência.</div>
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Faço a interpretação que a obra se trata da premonição do menino Jesus de sua crucificação por sua defesa da igualdade, citando Gálatas: "Não há judeu nem grego, escravo ou livre, homem ou mulher; porque todos vós sois um em Cristo Jesus."</div>
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Eduardo Faust</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEYzXyb052Llca_UOGbfJkIeQ3h43EHavS1Ov7cDym3Q9q0QuE4A40QI_PiKMGFI00ZrpnqKA50N7AhvcdIsRIc_sIP394iMf1VKTGLzxHfi9cjBAVQn-ghz7xlpEOWhYVlz5K2W1LF3M/s1600/20181127_150454-01.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEYzXyb052Llca_UOGbfJkIeQ3h43EHavS1Ov7cDym3Q9q0QuE4A40QI_PiKMGFI00ZrpnqKA50N7AhvcdIsRIc_sIP394iMf1VKTGLzxHfi9cjBAVQn-ghz7xlpEOWhYVlz5K2W1LF3M/s640/20181127_150454-01.jpeg" width="640" /></a></td></tr>
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Nascido no século XVI no Reino de Navarra, São Francisco Xavier foi um missionário jesuíta.</div>
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Celebrado como combatente das epidemias sua relíquia (pedaço da ossada) foi doada a cidade de São Salvador da Bahia de Todos os Santos, durante a peste de febre amarela do século XVII, sendo assim elevado a padroeiro da cidade (seu dia é agora dia 03 de dezembro)</div>
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Na foto vemos o relicário em formato de busto do santo com a relíquia depositada em seu peito. Está exposto na sacristia d<span class="text_exposed_show" style="display: inline; font-family: inherit;">a Catedral de Salvador.</span></div>
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Eduardo Faust</div>
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<tr><td class="tr-caption" style="font-size: 12px;">Bom Pastor (Marfim) Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Crucifixo | Catedral Basílica Primacial São Salvador</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Crucifixo | Catedral Basílica Primacial São Salvador</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Catedral Basílica Primacial São Salvador<br />
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<tr><td class="tr-caption" style="font-size: 12px;">Forro | Catedral Basílica Primacial São Salvador</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Abside| Catedral Basílica Primacial São Salvador</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Pedra fundamental | Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Claustro | Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Santa Maria Madalena XVII | Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Nossa Senhora do Carmo |<br />
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<tr><td class="tr-caption" style="font-size: 12px;">Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Sr Bom Jesus dos Passos | Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Lavabo | Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Relicários | Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Convento dos Carmelitas Descalços hoje Museu de Arte Sacra da Bahia</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Igreja Nossa Senhora do Rosário dos Pretos</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Forro | Igreja Nossa Senhora do Rosário dos Pretos</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Cruzeiro | Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Nave lateral| Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption" style="font-size: 12px;">Nave lateral, Capelas | Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption">Nave central | Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Coro Alto| Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Cancelo | Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Altar do transepto | Convento São Francisco de Assis</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Convento São Francisco de Assis<br />
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-38215483126666486302018-10-24T14:50:00.004-07:002022-04-13T12:30:11.616-07:00■ Artigo Revista Arquitectura Y Cultura Universidad Santiago de Chile<div style="text-align: justify;">"Hola Eduardo, ¿cómo estás?</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">Te cuento que estamos preparando el noveno número de nuestra Revista A+C, Arquitectura y Cultura.</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">Hemos decidido que este noveno número se constituya por medio de invitaciones. Es por ello, que te invito a enviarnos un texto inédito tuyo para que lo publiquemos en este nuevo número.</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">Artículos de investigación. Son producto de investigación científica o tecnológica, proyectos de investigación, que sean un aporte a la disciplina y que no hayan sido publicados anteriormente."</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">"Agradezco su valioso aporte para la edición de este número especial."</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">Muy atentamente,</div><div style="text-align: justify;">Dr. Arq. Rodrigo Vidal Rojas</div><div style="text-align: justify;">Profesor Titular</div><div style="text-align: justify;">Editor Revista A+C</div><div style="text-align: justify;">Universidad de Santiago de Chile</div>
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<div class="211Capa-Ttulo1" style="text-align: justify;"><br /></div><div class="211Capa-Ttulo1"><div style="text-align: justify;"><span style="background-color: white; color: #666666; font-size: 13.86px;">LINK PARA O ARTIGO:</span></div><span lang="EN-US" style="mso-ansi-language: EN-US;"><div style="text-align: justify;"><a class="vglnk" href="https://www.revistas.usach.cl/ojs/index.php/amasc/article/view/3492" rel="nofollow" style="color: black; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13.86px; text-decoration-line: none;">https://www.revistas.usach.cl/ojs/index.php/amasc/article/view/3492</a></div></span></div><div class="211Capa-Ttulo1" style="text-align: justify;"><span lang="EN-US" style="mso-ansi-language: EN-US;"><span face=""arial" , "tahoma" , "helvetica" , "freesans" , sans-serif" style="background-color: white; color: #666666; font-size: 13.86px;"><br /></span></span></div><div class="211Capa-Ttulo1"><div style="text-align: justify;"><span style="background-color: white; color: #666666; font-size: 13.86px;">LINK PARA BAIXAR O PDF:</span></div>
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<div class="212Capa-Titulo2CxSpFirst" style="text-align: justify;">
____________________________________</div>
<div class="212Capa-Titulo2CxSpMiddle" style="text-align: justify;">
<br /></div>
<div class="212Capa-Titulo2CxSpLast" style="text-align: justify;">
<br /></div>
<div class="223Capa-Ttulo3CxSpFirst" style="text-align: justify;">
Artigo publicado em texto:</div>
<div class="223Capa-Ttulo3CxSpMiddle" style="text-align: justify;">
<br /></div>
<div class="223Capa-Ttulo3CxSpLast" style="text-align: justify;">
<b><br /></b></div>
<div class="22Capa-AutorTitulaoInstituioEmailetc" style="text-align: justify;">
<b>Sobre la práctica de la construcción sacra católica:</b></div>
<b><div style="text-align: justify;"><b>La arquitectura moderna bajo la luz del Concilio Vaticano II na Iglesia Santo Antonio — Minas Gerais, Brasil</b></div></b>
<div class="22Capa-AutorTitulaoInstituioEmailetc" style="text-align: justify;">
<o:p> </o:p><o:p> </o:p> </div>
<div class="31Titulo-Resumen" style="text-align: justify;">
<span lang="ES-CL"><b>Resumen<o:p></o:p></b></span></div>
<div class="32Texto-Resumen" style="text-align: justify;">
<em><span face=""arial" , sans-serif" lang="ES-CL" style="mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">En este
texto coloco el resumen de algunas reflexiones que desarrollé en mis 13 años en
la práctica de la arquitectura sacra, y de una forma didáctica formé 3 premisas
que orientan mi trabajo. </span></em><span lang="ES-CL">Vasto es el acervo
edificado de arquitectura moderna y contemporánea exitosa, con respuestas
positivas tanto de la academia de arquitectos como de los usuarios. Lo mismo no
se puede hablar de la arquitectura sacra católica, el descarte de los
diecisiete siglos de evolución tipológica no fue y sigue sin ser bien aceptado
por los sacerdotes. Los concilios ecuménicos son encuentros de larga duración
donde los bispos de la Iglesia Católica resuelven cuestiones doctrinales y
disciplinares. Al buscar referencia en la historia de la arquitectura católica
el arquitecto deberá actualizar estas influencias a la luz del Concilio
Vaticano II de 1964. En Brasil la Iglesia católica esta separada del estado,
convirtiéndose en una institución privada mantenida en gran parte por
donaciones, siendo así cada nueva construcción es financiada por los habitantes
de la localidad, el presupuesto bajo es la realidad de las nuevas
edificaciones, mantener la nobleza y la belleza del espacio con simplicidad es
otro desafío de la arquitectura post-conciliar. La Iglesia Santo Antonio en la
ciudad de Belo Horizonte en la provincia de Minas Gerais en Brasil, es una
tentativa de aplicación de las tres premisas citadas.<o:p></o:p></span></div>
<div class="32Texto-Resumen" style="text-align: justify;">
<br /></div>
<div class="32Texto-Resumen" style="text-align: justify;">
<br /></div>
<div class="32Texto-Resumen"><div style="text-align: justify;"><b>On the practice of the catholic construction:</b></div>
<b><div style="text-align: justify;"><b>The modern architecture under the light of the Second Vatican Council in St. Anthony’s Church — Minas Gerais, Brazil</b></div></b></div>
<div class="32Texto-Resumen" style="text-align: justify;">
<br /></div>
<div class="41Ttulo-Abstract" style="text-align: justify;">
<span lang="EN-US"><b>Abstract<o:p></o:p></b></span></div>
<div class="42Texto-Abstract" style="text-align: justify;">
<em><span face=""arial" , sans-serif" lang="EN-US" style="mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">In this
paper I summarize some of my reflections in these thirteen years of practice in
sacred architecture. Strictly with didactic ends, I also present three premises
that guide my work. </span></em><span lang="EN-US">On these days, one have not to
look further to find successful buildings in modern and contemporary
architecture, with positive responses from both the academy and the users.
Still, the same cannot be said of Catholic sacred architecture. This situation
was not an accident, it wouldn’t happen without the break imposed by modern and
contemporary architecture with all previous tradition. Catholic priests,
nevertheless, were never happy with the oblivion of seventh centuries of
tradition. In long-term meetings, called Ecumenical Councils, Catholic Church’s
Bishops argue and resolve doctrinal and disciplinary issues, between then, are
a set of regulations to Catholic sacred architecture. I propose that the proper
way to work this first problem, is by updating the references of Catholic
architecture’s history, through a reading of modern and contemporary
architecture in the light of the Second Vatican Council. A second issue, arises
from the challenges of funding. In Brazil, the Catholic Church is no longer
part of the state, they are now private institutions, maintained largely by
donations. Each new construction is funded by local communities. As a result,
low budgets are the reality to new buildings. What, thus, presents these second
challenge to post-conciliar architecture: how to maintain beauty and nobility
with simplicity. I the midst of theses challenges, the project of the St.
Anthony’s Church in Belo Horizonte, Minas Gerais, Brazil, is a proposal to
solve these problems through the application of the aforementioned principles.<o:p></o:p></span></div>
<div class="42Texto-Abstract" style="text-align: justify;">
<br /></div>
<div class="42Texto-Abstract" style="text-align: justify;">
<br /></div>
<div class="223Capa-Ttulo3CxSpMiddle" style="text-align: justify;">
<br /></div>
<div class="223Capa-Ttulo3CxSpMiddle" style="text-align: justify;">
<b>Sobre a prática da construção sacra católica:<o:p></o:p></b></div>
<div class="42Texto-Abstract">
<span lang="EN-US" style="color: #00000a;"></span></div>
<div class="223Capa-Ttulo3CxSpLast" style="text-align: justify;">
<b>A arquitetura moderna sob a luz do Concílio Vaticano II na Igreja Santo Antônio — Minas Gerais, Brasil.</b></div>
<div class="223Capa-Ttulo3CxSpLast" style="text-align: justify;">
<b><br /></b></div>
<div class="51Ttulo-Resumo" style="text-align: justify;">
<b>Resumo</b><o:p></o:p></div>
<div class="52Texto-Resumo" style="text-align: justify;">
Neste texto coloco o resumo de algumas reflexões que
desenvolvi nos meus 13 anos na prática da arquitetura sacra, e de uma forma
didática formatei 3 premissas que orientam meu trabalho. É vasto o acervo
edificado de arquitetura moderna e contemporânea bem-sucedida, com respostas
positivas tanto da academia de arquitetos quanto dos usuários. O mesmo não se
pode falar da arquitetura sacra católica, descartar os dezessete séculos de
evolução tipológica não foi e segue sem ser bem aceito pelos sacerdotes. Os
concílios ecumênicos são encontros de longa duração aonde os bispos da Igreja
Católica resolvem questões doutrinais e disciplinares. Ao buscar referência na
história da arquitetura católica o arquiteto deverá atualizar estas influências
a luz do Concílio Vaticano II de 1964. No Brasil a Igreja católica não faz mais
parte do estado, tornando-se uma instituição privada mantida em grande parte
por doações, sendo assim cada nova construção é financiada pelos moradores da
localidade, orçamento baixo é a realidade das novas edificações, manter a
nobreza e a beleza do espaço com simplicidade é outro desafio da arquitetura
pós-conciliar. O projeto da Igreja Santo Antônio na cidade de Belo Horizonte no
estado de Minas Gerais no Brasil, é um caso de aplicação das premissas citadas.<o:p></o:p></div>
<div class="52Texto-Resumo" style="text-align: justify;">
<br /></div>
<div class="52Texto-Resumo" style="text-align: justify;">
<br /></div>
<div class="52Texto-Resumo" style="text-align: justify;">
<br /></div>
<div class="61Texto-Ttulo" style="text-align: justify;">
<b>Introdução<o:p></o:p></b></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Arquitetura de 17 Séculos e o Paradigma Modernista</b><o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
No ano de 313 o édito de Milão anunciava o fim
da perseguição ao cristianismo e que o seu imperador Constantino era cristão. A
partir daí as basílicas (casa do Basileu) foram convertidas no local do culto a
cristo. A linguagem arquitetônica destas primeiras basílicas foi relida ao
longo dos séculos (românico, gótico, renascimento, barroco, etc.), sem romper
traços principais, em que facilmente um usuário recém-chegado a uma localidade
possa identificar o edifício eclesial.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
No final do XIX e início do XX a revolução
industrial e como consequência o movimento moderno revolucionou a forma de se
construir, arquitetos iniciam uma nova forma de fazer arquitetura negando a
arquitetura produzida até então. “A forma segue a função”, “o menos é mais” e
“adorno é crime” são alguns dos dogmas que orientam este movimento.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<o:p><br /></o:p></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Academia de Arquitetura em Desencontro com
Sacerdotes e Fiéis<o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
Igreja católica como instituição mais antiga do mundo com 17
séculos de identidade arquitetônica não se adequou bem a esta negação do
passado, implícita no movimento moderno. Igrejas foram construídas excluindo
elementos arquitetônicos que até então identificavam uma Igreja, sendo
suprimidas: absides, torres, colunatas; e esquecidos princípios compositivos
como: simetria, formato cruciforme, centralidade do altar. Simbologias baseadas
em exegeses bíblicas são substituídas por conceitos do arquiteto. Esta negação
trouxe um afastamento dos leigos e dos sacerdotes sobre a arquitetura moderna.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
A Igreja São Pedro (Campos de Jordão, São
Paulo, Brasil) projetada por Paulo Mendes da Rocha é a obra vencedora do Prêmio
Pritzker de 2006, dando abertura para concluirmos que para a academia é uma
arquitetura sacra modelo. Poucos fiéis a reconhecem como Igreja, em geral a
acham muito feia e a relacionam com algo que se pareça a um comércio e não a um
templo. De outro lado temos o Santuário Nacional de Nossa Senhora Aparecida
(Aparecida, São Paulo, Brasil) que para o clero é o exemplo de uma bela Igreja,
e para arquitetos é um pastiche, um neorromânico mal desenhado.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
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<img border="0" data-original-height="890" data-original-width="1280" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivVRXg5lrb7Su0cWONPZZpd5L_toDrRPsHSYwrgX_yXXL45XlSvkak-D05ZLf3y2FYEvpTAgoqf4-v9mpVg8eFioF7x9v6NYH1gxbCgQJSpnVc8omSO2XG2ikhVF_TZ6Aes604XAvBTl0/s320/Igreja+S%25C3%25A3o+Pedro+-+PM+da+Rocha+-+Campos+do+Jordao+1989+-+04.jpg" width="320" /><img border="0" data-original-height="853" data-original-width="1280" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirRaYThCC_mIa4I2h5aAnbOJBd1u9Je2dNpCXoeFGAk8L32ZEEB4aYO2Sfm7OLCxO5MJC4kPN3HYT_qtKVhw0308au8TfvjDSwKcuTyNvIT3XE4n6hsPBQjqZmJJJpI87Z5TjElzfMku4/s320/Igreja+S%25C3%25A3o+Pedro+-+PM+da+Rocha+-+Campos+do+Jordao+1989+-+01.jpg" width="320" /></div>
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<div class="91Imagens-Legendas">
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<div class="91Imagens-Legendas" style="text-align: justify;">
Igreja São Pedro. Campos do
Jordão, SP - Brasil.<span style="color: black;"> </span><span style="mso-color-alt: windowtext;">(Giantomasi, 2015</span><span style="color: black;">)</span><o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsxh2E3OFqi7ZgDwBghpNJ_CnIxbXGRxX6D27PWkYD2FiBe5N7KlzaFk4ZL8W74VYL5g4W_GAdbR627gNaHkD749kQBo6VgzFUVqaYEZR2aFwetm1zjpH_fU6VCTxTfjWOAsO0LeXAkq0/s640/DSC_1680.JPG" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="91Imagens-Legendas" style="font-size: medium; text-align: start;">
Santuário Nacional de Nossa Senhora Aparecida. Aparecida, SP - Brasil. <span style="mso-color-alt: windowtext;">(Acervo Arq. Eduardo Faust)<o:p></o:p></span></div>
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<div style="text-align: justify;"><br /></div><div style="text-align: justify;">Este caso não é isolado, quando pergunto a
opinião de fiéis e sacerdotes sobre igrejas publicadas em revistas de arquitetura,
a grande maioria não aprecia.</div></div>
<div class="63Texto-TextodoTrabalho">
<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
O meu diagnóstico até aqui, é que ao contrário
de outros usos como universidades, bibliotecas e museus, o esquecimento dos 17
séculos de história não funcionou na arquitetura sacra. Um edifício igreja
precisa de referenciais estéticos/simbólicos para ser visto como tal por seus
usuários.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Nós arquitetos podemos interpretar estes quase
100 anos de afastamento de uma forma arrogante, utilizando o confortável
argumento de que “o público” não evoluiu para entender as obras. Ou perceber
que falhamos — que a arquitetura sacra é um caso especial no modernismo e além
dele. <o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Assim defino a premissa número 1: Continuar a
linha do tempo evolutiva da arquitetura sacra. Inovar mantendo a linguagem e os
conceitos básicos.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<o:p><br /></o:p></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>As leis da arquitetura sacra católica <o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
O arquiteto antes de projetar qualquer obra
deve consultar e seguir normativas legais impostas pelo estado, na Igreja
acontece o mesmo, a consulta aos documentos da Santa Sé, da conferência de
Bispos e livros de Liturgistas respeitados formam a base para entender o uso da
edificação.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Os concílios ecumênicos são encontros de longa
duração aonde os bispos da Igreja Católica resolvem questões doutrinais e
disciplinares. <o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Os documentos gerados <span lang="quz-PE" style="mso-ansi-language: #0C6B;">no início dos anos 60 do século XX no Conc</span>ílio
Ecumênico Vaticano II indicam alterações na forma de celebrar nos templos
católicos. Adequação de espaços litúrgicos a luz do concílio vem sendo feitas
desde então. O entendimento das formas de celebrar pré-concilio vaticano II
também são importantes pois as adequações respeitam a evolução da liturgia e
trazem referências do início do cristianismo.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Igrejas executadas antes de 1964 seguiam as
orientações do concílio de Trento de 1563, ao buscar referência na história da
arquitetura católica o arquiteto deverá atualizar estas influências a luz do
Concílio Vaticano II.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<b>A premissa número 2</b>: espaços devem obedecer às
premissas do Concílio Vaticano II.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<o:p><br /></o:p></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Obras comunitárias orçamentos comunitários<o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
O Brasil assim como grande parte dos países da
América do Sul, teve uma larga migração do campo para a cidade nos anos 60 e
70, gerando uma grande demanda por habitações. Neste período, pela ausência de
recursos, Igrejas improvisadas foram erguidas. Hoje, a mesma população possui
recursos para edificar seus templos, porém, ao contrário dos grandes mecenas da
Florença renascentista, o poder aquisitivo é médio/baixo, sendo um grande
desafio criar muito com pouco.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Assim firmo a premissa número 3: Fazer muito
com pouco, criar belas obras com baixo custo.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<o:p><br /></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;">Resumo das premissas<o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
01: Continuar a linha do tempo evolutiva da
arquitetura sacra. Inovar mantendo a linguagem e os conceitos básicos.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
02: Os espaços devem obedecer às premissas do
Concílio Vaticano II.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
03: Fazer muito com pouco, criar belas obras à
baixo custo.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="61Texto-Ttulo" style="break-before: auto; text-align: justify;">
<b>Métodos<o:p></o:p></b></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Por uma arquitetura sacra contemporânea</b><o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Quando fui contratado em 2005 para fazer minha
primeira Igreja, levei imagens de Igrejas contemporâneas famosas para
apresentar aos clientes (graças a falta de um portfólio próprio) para melhor
entender suas aspirações com o projeto de sua nova igreja. Minha surpresa foi
ver que não gostaram de nada, porém me colocaram como referência algumas
Igrejas antigas ou a pequena igreja da paróquia ao lado.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
Este caso me motivou a fazer regularmente este teste com
comunidades ao qual estou projetando suas igrejas. Hoje com mais de uma centena
de projetos de Igrejas posso afirmar que esta primeira comunidade não era
exceção.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
Neste texto está o resumo de algumas reflexões que desenvolvi
nos meus 13 anos na prática da arquitetura sacra, que estão resumidas em 3
premissas que orientam meu trabalho. Vejamos a seguir uma obra estruturada nestas
3 premissas.<o:p></o:p></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="61Texto-Ttulo" style="break-before: auto; text-align: justify;">
<b>Resultados e discussão<o:p></o:p></b></div>
<div class="61Texto-Ttulo" style="break-before: auto; text-align: justify;">
<b><br /></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Venda Nova é um bairro antigo da cidade de
Belo Horizonte, a Igreja original foi demolida a cerca de 20 anos e desde então
o povo celebra em um espaço improvisado. Com grande destaque na paisagem urbana
o terreno é isolado de fronte para a praça Santo Antônio na avenida mais
importante do bairro.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Aos fundos da Igreja um edifício possui todas
funções administrativas, educacionais e recreativas, assim a nova obra pode
focar na construção do templo com suas capelas, sacristias e um estacionamento
subterrâneo.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="844" data-original-width="1400" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyqR84YVNRu52QpHUn-y3FPAFJVC7IwXgrROTWVsLJNFBmRw3Kx-_cmeT-Qz7QwjPmaVvsWzK_fTmsZ9h587RxPkZSNIhhTC6xOKPHRUK7p0uhJFpNYwdc9kEz9wAxuKz0qAP5ZbwDoW4/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+EXT+04.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="91Imagens-Legendas" style="font-size: medium; text-align: start;">
Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="font-size: medium; text-align: start;">
</div>
</td></tr>
</tbody></table>
</div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_12" o:spid="_x0000_i1041" type="#_x0000_t75" style='width:348pt;
height:195.6pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi68Qv8MWoZuPxmiFynRACgRJbo1ZO0zSYh9IPgZ2GlPcpWWEaDqMlrkph_o_ZLsIGGhHLejnEaW6cK9gsixbS-x3NfiZPXr7j3bdvJ7t7vkit2drqOAEh07Ev5aD9y5vsffpQXXuASj8U/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+INT+06.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="91Imagens-Legendas" style="font-size: medium; text-align: start;">
Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="font-size: medium; text-align: start;">
</div>
</td></tr>
</tbody></table>
</div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Utilizei este projeto para amparar minhas
premissas, pois foi extremamente bem aceito pelos fiéis na apresentação, foi
aprovado com elogios pelo Arcebispo de Belo Horizonte Dom Walmor Oliveira de
Azevedo e vem sendo solicitado por estudantes de arquitetura como estudo de
caso para seus trabalhos acadêmicos. Estes três pontos me servem de indício
para um possível caminho exitoso das decisões arquitetônicas utilizadas.</div>
<div class="63Texto-TextodoTrabalho">
<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_7" o:spid="_x0000_i1040" type="#_x0000_t75" style='width:315pt;
height:181.2pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image009.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="919" data-original-width="1600" height="367" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK84mAZrmX-ulWXXqzazG7_CtDh1Voyd9A4TP2lkv3JbLoGuoRZn6Q1tNGZXmzzu_Y9yRSUIMs3YGbW5PY_TR7wQ_ZuGET2BynyLABRB2oQliOS9zDrjYmwlfjvyOgux9qwHSUHM-vZZA/s640/Faust.+Eduardo.+pratica+construcao+pratica+-+figura+5.jpeg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Aprovação do projeto Dom Walmor
Oliveira e os Padres José Alves e Célio Diniz. Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Conceitos tradicionais aplicados a arquitetura
contemporânea <o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
O formato cruciforme com nave central e naves
laterais está presente nas grandes obras da arquitetura sacra, desta influência
gerei a volumetria da edificação. Tradicionalmente o que divide as naves são
colunas, hoje temos técnicas construtivas que nos permite retirar estas
colunas, tornando o espaço adequado a um layout semicircular que atende melhor
ao concílio vaticano II.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_26" o:spid="_x0000_i1039" type="#_x0000_t75" style='width:382.8pt;
height:294pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image010.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="1228" data-original-width="1600" height="490" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJuDSXcOj1QryPmZGGuezPy63IaWhSn2inUcnPoptd5ElsssasTz3VDIitzNsuwYeTScvqjVyqk0UJACo6AnOIYKdkCshQBWfJdtlYgKUJdZ9GWbA6-FMWyMEirsUnZUOHHMbLLjkhjrI/s640/Faust.+Eduardo.+pratica+construcao+pratica+-+figura+6.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Planta baixa. Acervo Arq Eduardo
Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_21" o:spid="_x0000_i1038" type="#_x0000_t75" style='width:371.4pt;
height:282.6pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image012.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="1216" data-original-width="1600" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv8lJZzz3BXLZn8yz0mzST8P-TdBn6KZ1edhVZfGolcfP4gOjAh4z3gTcSEIhVu4p5OuJ4OIufP8wbfC1f7IJqcOay6SYfPfAdnehy8A3jYGCBdpz8og4K7SZhGsulUd4C50IoEtHSPrg/s640/1884-01.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Cobertura em formato de cruz
latina. Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Assim sendo substituí as duas colunatas
centrais por duas vigas mestras que seguem o vão da entrada até dois pilares
que emolduram o presbitério, nestas vigas mestras apoiei a cobertura das naves
laterais e central. Também apoiei nas vigas mestras as duas vigas secundárias
que formam o transepto, e outras duas vigas do transepto nos pilares do
presbitério.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_22" o:spid="_x0000_i1037" type="#_x0000_t75" style='width:372pt;
height:286.8pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image014.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="1322" data-original-width="1600" height="528" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxSYmazMnvOi2cYgeLMe4MufwvFszr1eJZInFtpqM3OZEknTmv84So4zO_Ws9qCh_u2LTQFiK5gforfsf1D77teVLWBzxhrVMf-D5hzy9f0597jXcRQCFBS6NF45sVUDE01rHC0ZH3A6c/s640/188-01.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Sistema estrutural da cobertura.
Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Retorno do edifício catequético <o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Pouco antes de morrer, o Frei Antônio, um dos
doutores da Igreja, já doente com falta de ar pediu que armassem sua cela
(dormitório) no topo de uma nogueira frondosa, para que lá fizesse seus sermões
e suas reflexões a seus irmãos franciscanos. A nogueira tornou-se um de seus
símbolos. Com a solução estrutural consegui diminuir o vão das coberturas
possibilitando o uso de estrutura de madeira na nave central. Desenhei dois
tipos de treliças diferentes que vistas em sequência formam um emaranhado
geométrico de madeira, simbolizando o entrelaçamento dos galhos da nogueira de
Santo Antônio.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<img border="0" data-original-height="300" data-original-width="187" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ2L11N9RJ6GPCa6ZoCFAUxDMBsNqsxBbxgmT1Xt3VhqgxZi92k7bcINLG4xcScYlRVWg6IojzC_oKiWpQSlbfXyowx2o45UpOMDyxvDke_yVsFsEv8640apViQrNhsDCQz99lE82x5tI/s400/santo+antonio+icone+nogueira+-+Bremen+Alemanha+1600.jpg" width="248" /> <span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_20" o:spid="_x0000_i1036" type="#_x0000_t75" style='width:208.2pt;
height:334.2pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image016.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Ícone de Santo Antônio na Nogueira
no <i style="mso-bidi-font-style: normal;"><span style="mso-color-alt: windowtext;">Santuario
del Noce</span></i><span style="mso-color-alt: windowtext;"> em Pádua, Itália. <a href="https://www.blogger.com/null" name="__DdeLink__2102_3673176917">(</a>Veronese, 1530)<o:p></o:p></span></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Espaço depois do Concílio Vaticano II<o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Ao centro no encontro das duas hastes da cruz
está o altar e o crucifixo que suspenso no ar é visível em toda obra. A
assembleia é convidada ao grande banquete pascal, reunida em torno da mesa da
eucaristia referenciando as celebrações do início da Igreja, assim como este
conceito todo mobiliário litúrgico e as relações dos espaços internos estão em
conformidade aos documentos do concílio vaticano II.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<o:p><img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg38pmJFiqQpcLrODrZIkvHrTpoABcijTGlFUoruN8D82gsI3v5qbQh78Watgese3zG4s1UYmt9r7pOvi9MAB4dTnQOcX4z5eesf_5taZTjSkeEd25Q7HEfl71_QicWo4VVGGlN2HCOMhk/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+INT+17.jpg" width="640" /></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_13" o:spid="_x0000_i1035" type="#_x0000_t75" style='width:453pt;
height:254.4pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image018.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Altar. Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<o:p> </o:p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjouohylRlOUgwHFYwxoUJ40QFCGA6DuzfBvKVy_1NsHZu-rwflulXqZoalrijItTsD3MICnXKXAJicG133NZN6maO-eheQEC8vklg-HPYw1nI1dDwNAkrHW4ZKy048MS-TwTRFnq6V2MM/s1600/Faust.+Eduardo.+pratica+construcao+pratica+-+figura+10.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="926" data-original-width="1600" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjouohylRlOUgwHFYwxoUJ40QFCGA6DuzfBvKVy_1NsHZu-rwflulXqZoalrijItTsD3MICnXKXAJicG133NZN6maO-eheQEC8vklg-HPYw1nI1dDwNAkrHW4ZKy048MS-TwTRFnq6V2MM/s640/Faust.+Eduardo.+pratica+construcao+pratica+-+figura+10.jpg" width="640" /></a></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Corte. Acervo Arq Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_23" o:spid="_x0000_i1033" type="#_x0000_t75" style='width:403.8pt;
height:4in;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image022.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKoDAa2GStiwQGNV3wnAO_K9vISaDpEIz1xDXaEigfnOMdiIimTfLH5bPSc1InN6lFmq9sDg9qDfScrbqlfkCYeu43pO6ydUYZJVJejE8CZSXktprj1s4d59rW44BN5yXwwlxpf3Q6aVc/s1600/184577%257E1.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1143" data-original-width="1600" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKoDAa2GStiwQGNV3wnAO_K9vISaDpEIz1xDXaEigfnOMdiIimTfLH5bPSc1InN6lFmq9sDg9qDfScrbqlfkCYeu43pO6ydUYZJVJejE8CZSXktprj1s4d59rW44BN5yXwwlxpf3Q6aVc/s640/184577%257E1.jpg" width="640" /></a></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Estrutura da cobertura Acervo Arq
Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
No piso aproveitando o formato de cruz
utilizei uma exegese bíblica em que do altar ao centro da Igreja brotam os quatro
rios do paraíso e dão origem aos oceanos, quatro rios que caminham para os quatro
cantos do mundo. O reflexo gerado pelo mármore polido preto simboliza a água e
o pequeno deslocamento nos degraus do presbitério cascatas e inundam seus
caminhos.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_11" o:spid="_x0000_i1032" type="#_x0000_t75" style='width:420pt;
height:236.4pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image024.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEaHKD0B4tVqelEhcxu-3fsw7oPhR048KO0BObWjpg80fudpXyNxQHt9cSMxeA_qO4k2myeCSwtqFWrbiG6jhEKyy8nZy65z5sznqrACkS06hTLDEtD8QV3tiwNZgMcWDhgEROz3U11nE/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+INT+02.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<span style="mso-bidi-font-size: 10.0pt;">Presbitério Acervo Arq Eduardo Faust.</span><o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_18" o:spid="_x0000_i1031" type="#_x0000_t75" style='width:234.6pt;
height:328.2pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image026.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="1024" data-original-width="731" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB4nynAOkpKFj-pqNTZEsDf5Y_FBLtrJ3lsWUGFiKAGL5gRPsfLT4n4r-OyFu3vAeRI1e7uMzmWzDPfY0EcCfJZZ9jzXVXAYldY1bZW7sYxm7QeqDNlIx_dVX1hdi8bHRxXmh_fFxT24A/s400/Faust.+Eduardo.+pratica+construcao+pratica+-+figura+13.jpg" width="285" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Gravura de um Missal Romano do
século XII, Mosteiro de Zwiefalten, Alemanha. <span style="color: black;">(</span><span style="mso-color-alt: windowtext;">Campbell, 1974)<o:p></o:p></span></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Para o mobiliário litúrgico utilizei um forte
símbolo franciscano, a letra grega TAU ( <i><span style="color: #222222;">τ</span></i><span style="color: #222222; mso-bidi-font-weight: bold;"> </span>). São Francisco de
Assis em seus milagres fazia o sinal do Tau sobre os ferimentos. “Com ele ( <i><span style="color: #222222;">τ</span></i><span style="color: #222222; mso-bidi-font-weight: bold;"> </span>) selava as cartas e marcava as paredes das pequenas celas”
cf.LM4,9;2,9;3Cel3.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
A palavra Ambão vem do grego <i>anabaino</i>
que significa “subir, elevar-se”, a Palavra que vem do reino dos céus. Seguindo
esta interpretação e a tradição do antigo ambão, loquei-o em um patamar mais
elevado. Ao centro, a sédia (cadeira da presidência) compõe a tríade litúrgica.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
No lado oposto do presbitério a pia batismal
faz a simetria com o Ambão. Na abside ao centro a capela do santíssimo expõe o
tabernáculo com acesso dos fiéis para oração individual.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Templos e números<o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Voltando ao formato cruciforme do edifício
coloquei a capela do santíssimo na extremidade central, a capela de São
Francisco na outra extremidade a capela do padroeiro na outra. Na extremidade
restante está o acesso principal. Para criar uma releitura da portada Gótica,
coloquei uma sequência de sete (7) arcos ogivais, o número sete (7) é o número
perfeito na simbologia cristã, é formado pelo quatro (4) do imanente mais o três
(3) do transcendente, a junção do céu com a terra, a <i>merkabah</i>, o momento
da consagração da eucaristia.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_16" o:spid="_x0000_i1030" type="#_x0000_t75" style='width:434.4pt;
height:244.2pt;visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/eduar/AppData/Local/Temp/msohtmlclip1/01/clip_image027.jpg"
o:title=""/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><o:p></o:p></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Fbadox5QVq2efd3z4SBezyIXoUnT6SKvIbGBOCHRdxOMr1zEkn6Shg7KBT6PYOn-kRMgS6Yz7YG339CWuXtgDO4KrXxab_4Z7dnv9KGFMLMwmktIUtGrNIxA0fqQ_zGIqyssBJilY8Q/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+INT+10.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Presbitério. Acervo Arq Eduardo
Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Historicamente os números são utilizados de
forma simbólica na arte e na arquitetura sacra, além do descrito acima, a
primeira parte da Igreja (antes do transepto) aonde está a assembleia tem doze
(12) pilares, dos doze (12) apóstolos, das doze (12) tribos de Israel. As três
(3) capelas das extremidades da cruz simbolizam os três (3) nós do cordão do
hábito dos franciscanos e os seus três (3) conselhos evangélicos (pobreza,
obediência, castidade). As duas colunas principais que sustentam as vigas
mestras, simbolizam os pilares da Igreja, São Pedro e São Paulo.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_14" o:spid="_x0000_i1029" type="#_x0000_t75" style='width:347.4pt;
height:296.4pt;visibility:visible;mso-wrap-style:square'>
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o:title=""/>
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<div class="separator" style="clear: both; text-align: justify;">
<img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1g9kSv3CUuj_UyUPeZJIDfvUGgIExMSgxkfMdUTU2faCv9okyoYzOj-p3dk3oQxHxROcqyhebpPKTtAhrpIdI5vZKMvB4_nuU8oyCDLA4O9Y6mtc4fgIuK0yQcXPyyS-395KnJJMKVX0/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+EXT+05.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
<i><br /></i></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Capela Lateral. Acervo Arq
Eduardo Faust<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
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id="Picture_x0020_20" o:spid="_x0000_i1028" type="#_x0000_t75" style='width:364.2pt;
height:276pt;visibility:visible;mso-wrap-style:square'>
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<div class="91Imagens-Legendas" style="text-align: justify;">
<img border="0" data-original-height="1212" data-original-width="1600" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilu7TgkttnsJK0EXae0nvJKHL1t91xZWlQOrkcUcSzekqXYhL4_qmbOh95KxwyQopOCCwUetQF9JlPTxKa7JlVWlnIyKQoCcEXClOrfw7dbKf88IYBpBSXACtonHONfhDQBjSPNi86BKU/s640/1883-01.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Doze pilares. Acervo Arq Eduardo
Faust<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
O desenho que fiz nas folhas da porta
simbolizam tanto a nogueira quanto o símbolo dos doutores da Igreja — o lírio. Acima
da portada estão os arcos que definem a fachada. A hóstia no formato de um
círculo é hoje um símbolo forte para os fiéis, sendo assim desenhei um arco
ogival finalizado em uma cruz celta (cruz do sol nascente — que possui um
círculo ao centro), nos remetendo ao gesto do sacerdote na consagração da
eucaristia.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: center;">
<br /></div>
<div class="91Imagens-Legendas">
<i style="mso-bidi-font-style: normal;"><span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
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<img border="0" data-original-height="1480" data-original-width="1600" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3bs7X5BpOCm5R6uIJbdIm6oTROlQcjzcgn5s8zbD7TPRI5HUJbwQsS76UKr1frxePFiPWz-1x3aNUygycNTQdvkdBE0bWjCRez4uUZ7qwkz6oeEmDNONM66nSWJDi_NCGukJizQ3CbIg/s320/Faust.+Eduardo.+pratica+construcao+pratica+-+figura+18.jpg" width="320" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Sacerdote e a consagração da
eucaristia. Festa nacional da divina misericórdia (2017).<o:p></o:p></div>
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<br /></div>
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<span style="mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_1" o:spid="_x0000_i1026" type="#_x0000_t75" style='width:464.4pt;
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<img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3FIG_16x7q54jRfjdOJJsPzgjErFQHRalBlXlaYlFpN1jTWYbIMDXyuBjP0Z-TMhZ4WXcCSl3HtkGItZ4VBPR_cZmavQG_UcFdOVn8WUfPNgCd7jMZX4LLT4bkcY2InaThdRvJU_BxSQ/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+EXT+01-2.jpg" width="640" /></div>
<div class="91Imagens-Legendas" style="text-align: justify;">
Fachada. Acervo Arq Eduardo
Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbcp2y49nHj_RtxYY4T3Ehb-9xSHpDFsmrHs-2nuSvGWqETEYKBNRTGWGtTjJpl_iI664uLYaX30Kmh6v3uuuUCHmK7uM3uayJOlxrTr_afRh23QfegZiE8aaE64fZL6AcOWaqj98FPo/s1600/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+INT+20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="788" data-original-width="1400" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbcp2y49nHj_RtxYY4T3Ehb-9xSHpDFsmrHs-2nuSvGWqETEYKBNRTGWGtTjJpl_iI664uLYaX30Kmh6v3uuuUCHmK7uM3uayJOlxrTr_afRh23QfegZiE8aaE64fZL6AcOWaqj98FPo/s640/188+Igreja+Matriz+Sto+Ant%25C3%25B4nio+%255BBelo+Horizonte+MG%255D+INT+20.jpg" width="640" /></a></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Acervo Arq Eduardo Faust.</div>
<div class="91Imagens-Legendas">
<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="61Texto-Ttulo" style="break-before: auto; text-align: justify;">
<b>Conclusões</b><o:p></o:p></div>
<div class="61Texto-Ttulo" style="break-before: auto; text-align: justify;">
<b><br /></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
Assim concluo que para uma arquitetura sacra
contemporânea o arquiteto deva buscar na história da arte e da arquitetura
sacra os referenciais, adequando-os as novas técnicas construtivas, ao espaço
litúrgico pós concílio vaticano II e aos orçamentos limitados das paróquias.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="62Texto-Subttulos" style="text-align: justify;">
<b>Dados do projeto<o:p></o:p></b></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Arquidiocese de Belo
Horizonte — Paróquia Santo Antônio.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Localização: Bairro,
Venda Nova. Cidade, Belo Horizonte. Estado, Minas Gerais. País, Brasil.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Pároco: José Alves de
Deus.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Autor: Arquiteto
Eduardo Faust.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Colaboradores: Egvar
Hermann; Gustavo da Luz; Renato Campos.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Projeto
luminotécnico: FAUST Arquitetura e Engenharia.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Área construída:
1.700,00 m².<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Área do terreno:
4.514,00 m².<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
Ano do projeto: 2016.<o:p></o:p></div>
<div class="63Texto-TextodoTrabalho" style="line-height: 115%; text-align: justify;">
<br /></div>
<div class="63Texto-TextodoTrabalho" style="text-align: justify;">
<br /></div>
<div class="71Referncias-Ttulo" style="break-before: auto; text-align: justify;">
<b>Referencias
bibliográficas<o:p></o:p></b></div>
<div class="71Referncias-Ttulo" style="break-before: auto; text-align: justify;">
<b><br /></b></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
<span style="color: black; mso-bidi-font-size: 11.0pt;">Benitez, C.P. (2009)</span><span style="color: black;"> </span><i>Arquitectura
de templos sagrados</i>. Barcelona: Reditar.<o:p></o:p></div>
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<br /></div>
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Besen, J.A. (2007) <i>História da
igreja</i>. São Paulo: Mundo e Missão.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Campbell,<span style="mso-spacerun: yes;"> </span>J. (1974)<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Mythic Image</i>. Princeton: Princeton University Press. <o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Casel, O. (1935). </span><i>O mistério do culto no cristianismo</i>. São
Paulo: Loyola.<o:p></o:p></div>
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<br /></div>
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CNBB (2010). <i>Diretório de liturgia.</i><o:p></o:p></div>
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<br /></div>
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CNBB (2017) <i>Guia litúrgico pastoral</i>.
(3a ed.).<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Festa nacional da divina misericórdia
(2017). Recuperado a partir de http://misericordia.org.br/site/wp-content/uploads/2017/05/festadamisericordia2017-comunh%C3%A3o.jpg<o:p></o:p></div>
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Frade, G. (2007) <i>Arquitetura
sagrada no Brasil</i>. São Paulo: Loyola.<o:p></o:p></div>
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<br /></div>
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Gombrich, E.H. (1993). <i>A história
da arte</i>. Rio de Janeiro: LTC. (15a ed.).<o:p></o:p></div>
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Lutz, G. (2009) <i>História geral da
liturgia</i>. São Paulo: Paulus.<o:p></o:p></div>
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Melo, J.R. (2011) <i>A missa e suas
partes</i>. São Paulo: Paulinas.<o:p></o:p></div>
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Menezes, I.P. (2006) <i>Bens culturais
da igreja</i>. São Paulo: Loyola.<o:p></o:p></div>
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Pastro, C. (2008) <i>O deus da beleza</i>.
São Paulo: Paulinas.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Pastro, C. (2010)<span style="color: #ed1c24;"> </span><i>A arte no cristianismo: fundamentos,
linguagem, espaço.</i> São Paulo: Paulus.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Sanchez, W. e Passos, J.D. (2015) <i>Dicionário
do concílio Vaticano II</i>. Paulinas: Paulus.<o:p></o:p></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Scomparim, A.F. (2008) <i>A
iconografia na igreja católica</i>. São Paulo: Paulus.<o:p></o:p></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Silva, F.J.A. da (2007) <i>Os
elementos fundamentais do espaço litúrgico para a celebração da missa</i>. São
Paulo: Paulus.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Veronese, B. (1530) <i style="mso-bidi-font-style: normal;">Santo Antônio pregando sobre a nogueira no Santuario
del Noce.</i> Pádua (Jack Wintz, OFM)<o:p></o:p></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1963) <i>Concilio ecumênico
Vaticano II: sacrosanctum concilium</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1964) <i>Sagrada congregação
para os ritos: instrução inter oecumenici</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1967) <i>Sagrada congregação
para os ritos: instrução eucharisticum mysterium</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1970) <i>Sagrada congregação
para o culto divino: instrução liturgicae instarationes</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1973) <i>Ritual de
penitência</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1973) <i>Ritual romano: a
sagrada comunhão e o culto eucarístico fora da missa</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1980) <i>Sagrada congregação
para os sacramentos e para o culto divino: instrução inaestimabile donum.</i><o:p></o:p></div>
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<br /></div>
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Vaticano (1981) <i>Missal romano:
elenco das leituras da missa.</i><o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1983) <i>Código de direito
canônico</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1984) <i>Ritual de dedicação
de Igreja e de altar</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (1999) <i>Ritual romano:
ritual de bençãos ritual do batismo de crianças</i>.<o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (2002) <i>Missal romano:
instrução geral sobre o missal romano.</i><o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (2004) <i>Congregação para o
culto divino e a disciplina dos sacramentos: instrução redemptiones
sacramentum.</i><o:p></o:p></div>
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<br /></div>
<div class="72Referncias-TextodasReferncias" style="text-align: justify;">
Vaticano (2005) <i>Catecismo da igreja
católica</i>.<o:p></o:p></div>
<div style="text-align: justify;"><br /></div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">__________________________________</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">LINK PARA O ARTIGO EM PDF:</div><div style="text-align: justify;">http://www.arquitecturaycultura.com/assets/articulo5.pdf</div>
<div style="text-align: justify;"><br /></div><div style="text-align: justify;">LINK PARA A REVISTA:</div><div style="text-align: justify;">http://www.arquitecturaycultura.com/</div>
<div style="text-align: justify;"><br /></div>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-23729831168390895192018-10-06T23:24:00.002-07:002019-01-20T07:02:49.567-08:00■ IGREJA NS DE FÁTIMA | CAMPO VERDE MT | AUTOR Arq.ED.FAUST<div class="separator" style="clear: both; text-align: left;">
<br /></div>
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■ Paróquia São Cristovão</div>
<div class="separator" style="clear: both; text-align: left;">
■ Pároco | Padre Lidiomar dos Santos</div>
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■ Autor | Arq Eduardo Faust</div>
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■ Projetos | FAUST arquitetura & engenharia</div>
<div class="separator" style="clear: both; text-align: left;">
■ Localização | Campo Verde, Mato Grosso, Brasil</div>
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Torre</div>
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Manto | Corôa |Mãos unidas em postura orante</div>
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Altar do Sacrifício. </div>
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Jesus é o cordeiro imolado de Deus. </div>
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Vítima de expiação pelos nossos pecados.</div>
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Altar Mesa da Eucaristia. </div>
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Jesus Cristo, na última Ceia, instituiu o Sacrifício Eucarístico do seu Corpo e do seu Sangue, o memorial da sua morte e ressurreição: banquete pascal, em que se recebe Cristo.</div>
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Altar Natividade. </div>
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Manjedoura. "O Verbo se fez carne, e habitou entre nós, e nós vimos a sua glória" (João 1:14)</div>
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Altar Ressurreição. </div>
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Cruz Celta. Cruz do Sol Nascente</div>
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Logo após o nascer do sol, Maria Madalena, Maria, mãe de Tiago e Salomé, foram ungir o corpo de Jesus. Viram um jovem sentado no túmulo que lhes contou que Jesus havia ressuscitado. (Marcos 16).</div>
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Ambão do grego anabaino: elevar-se. </div>
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Lugar alto para proclamação da Palavra</div>
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Sédia Cadeira do Sacerdote Celebrante </div>
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presidente da assembleia e guia da oração.</div>
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Merkabah</div>
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A cobertura central e a abside emolduram e nos levam a centralidade da Cruz do sol nascente, suspensa sobre o Altar - a união do céu e da terra - transubstanciação - consagração da eucaristia. </div>
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Rosário </div>
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Padrão de ornamento guilhochê , “costura” 20 circulos que simbolizam os 20 mistérios do Rosário (gozosos, dolorosos, gloriosos, luminosos.</div>
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3 Cruzes</div>
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3 mistérios de Fátima </div>
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3 Pastorinhos </div>
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Francisco, Lucia dos Santos, Jacinta Marto</div>
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Labirinto</div>
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No átrio (entrada) da Igreja, o labirinto resume a caminhada da vida Cristã. Para alcançar a salvação (o centro) o fiel encontrará uma longa jornada tortuosa porém na perseverança todos alcançarão.</div>
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Batistério </div>
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Em formato octogonal - 8 lados - Oitavo dia</div>
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Nascimento em Cristo - Nova e eterna aliança</div>
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Ouroborus</div>
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Ciclo contínuo da vida</div>
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<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-31194101178825966482018-09-10T17:41:00.000-07:002018-10-10T17:47:09.326-07:00■ Palestra UNIPAR | Cianorte PR<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Abertura da V Jornada de arquitetura da UNIPAR CIANORTE.</span><br />
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<span style="background-color: white; font-size: 14px;"><span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;">Obrigado prof José Aparecido, prof Lessyane Bonjorno, prof. Iara Bortolotto e a todos professores e estudantes que assistiam e participaram do evento. Fotos do fotógrafo Paulo Moro</span></span><br />
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-24778297403118746472018-08-21T17:43:00.000-07:002018-10-10T17:46:53.159-07:00■ Palestra Universidade Brasil | Florianópolis SC<span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;"><span style="font-size: 14px;">Palestra sobre minha experiência trabalhando com arquitetura especializada, processo de projeto e dia a dia de trabalhos em cidades distantes. Universidade Brasil em Florianópolis SC, dia 21/ago/2018. Convite do professor Fernando Koerich.</span></span><br />
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<span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif;"><span style="font-size: 14px;"><br /></span></span>Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-56464680227471076362018-06-18T11:32:00.000-07:002018-06-18T11:32:03.403-07:00■ Palestra Universidade Federal da Fronteira Sul | Erechim RS<div class="separator" style="clear: both; text-align: center;">
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Arq Eduardo Faust, ministrará palestra sobre arquitetura sacra com foco em processo criativo e execução de projetos.<br />
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Dia 19/jum/2018<br />
Universidade Federal da Fronteira Sul<br />
Campus Erechim<br />
Curso de Arquitetura e Urbanismo<br />
Auditório do Bloco de Professores Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-82942409105346602152017-12-11T14:51:00.000-08:002018-04-03T11:07:46.899-07:00■ Transformando um galpão pré moldado em Templo - Igreja Sta Teresinha em Curitiba PR<div class="separator" style="clear: both; text-align: center;">
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<span class="fbPhotoCaptionText">■ Localização | Curitiba PR<br /> ■ Diocese de Curitiba – Paróquia Profeta Elias<br /> ■ Pároco | Frei Edmilson Carvalho<span class="text_exposed_show"><br /> ■ Autor | Arq Eduardo Faust<br /> ■ Projetos | FAUST arquitetura e engenharia<br /> ■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato</span></span><br />
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<span class="fbPhotoCaptionText"><span class="text_exposed_show">Fui contrato para finalizar a obra da Igreja Santa Teresinha na paróquia Profeta Elias no bairro Sítio Cercado em Curitiba, Paraná. </span></span><br />
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<span class="fbPhotoCaptionText"><span class="text_exposed_show">A obra foi edificada em estrutura pré moldada de concreto armado, tal técnica construtiva possui um ótimo custo benefício porém para que isto aconteça existe limitações ao espaço e forma da edificação.</span></span><br />
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O sistema pré moldado de concreto é voltado a galpões industriais, centros atacadistas e construções de uso similar. Ao aplicar tal técnica e ao final chamar um arquiteto para transformar este espaço em uma Igreja trouxe um grande desafio.<br />
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Não é novidade. Grande parte das Igrejas construídas a partir dos anos 80 são galpões pré moldados, eu particularmente me tornei um especialista em repensar estas edificações para que tornem-se espaços de oração, dando a impressão de que nunca assemelharam-se com galpões industriais.<br />
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A Igreja Santa Teresinha é um exemplo muito bem sucedido, Pois com um orçamento baixo criou-se um espaço novo sem demolir nada, somente acrescentando. São aqueles momentos em que o custo do projeto vale cada centavo.<br />
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<tr><td class="tr-caption" style="text-align: center;"><span class="hasCaption">Inauguração
com missa presidida pelo Frei Edmilson Carvalho. Parabéns Leonides Topan e toda comunidade pela realização. </span></td></tr>
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<span class="fbPhotoCaptionText"><span class="text_exposed_show"><br /></span></span>Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-66764664521817737552017-11-21T18:44:00.000-08:002017-11-22T08:13:07.534-08:00■ Igreja Matriz São Miguel | Maringá PR | Autor Arq Ed.Faust<span style="background-color: white; color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 13.86px;"><span style="font-family: inherit;">■ Localização | Maringá PR </span></span><br />
<span style="background-color: white; color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 13.86px;"><span style="font-family: inherit;">■ Diocese de Maringá – Paróquia São Miguel Arcanjo </span></span><br />
<span style="background-color: white; color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 13.86px;"><span style="font-family: inherit;">■ Pároco | Padre Onildo Gorla </span></span><br />
<span style="background-color: white; color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 13.86px;"><span style="font-family: inherit;">■ Autor | Arq Eduardo Faust </span></span><br />
<span style="background-color: white; color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 13.86px;"><span style="font-family: inherit;">■ Projetos | FAUST arquitetura e engenharia </span></span><br />
<span style="background-color: white; color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 13.86px;"><span style="font-family: inherit;">■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato </span></span><br />
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<tr><td style="text-align: center;"><span style="font-family: "times new roman";"><span style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="1024" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgixYElc7p8WjOuxDbZ1Ut0ktj1FOaUQLCBQmeFo2ZF2qzX6Nz3sfQEQZ_zOOqKWbBYXJ8dOPF2H_uj5uebiu9kuOjuxwQ8agLCLsyxBg8ZG6a8HYzRbI2_aALCHix-55YNs_aD558ShBY/s640/DSCN9572.jpg" width="640" /></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Acima - Foto Antes da reforma<br />
Abaixo - Foto depois da reforma</td></tr>
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<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{24}" paraid="1174465180" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE">No primeiro milênio da Igreja não tínhamos bancos, os fiéis celebravam de pé em torno do altar. A distribuição desta assembléia em círculo com o altar em seu centro é um convite para que todos desfrutem do grande banquete pascal. Neste espaço o altar ao centro e assembleia em semicírculo </span><span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"> busca estas referencias. </span><br />
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span>
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW-dQACs9TTmuLxh81lYeZhTBJWZiXy7aDq_fpMuPZxdjUKnlrtcmsCdHwV7T3xj5vN-MRYNuHjXnOozSiXefyKWoI-MH6iXEwpTJ9XRwhO4yy9uJVADtnPeQV3yaGmHEqrlW7SKUoWvI/s640/20171117_173403-01.jpg" width="640" /></span><br />
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span>
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><img border="0" data-original-height="778" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-QGYmxbwDl6MafLOQk_J-gDXdOAiDQGV384jeiazYRfggyiQlj09UMC42GvO8aJl8ZUGJCYqT_RDstgy-MeRxfm59xfLH4DqlaTRHQkaM8gbJXdryGdjpeLZstxxNVGhW2PG73af97kc/s640/20171117_173246-01.jpg" width="640" /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{24}" paraid="1174465180" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span></div>
</div>
<div class="OutlineElement Ltr SCXW93842360" style="direction: ltr;">
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{26}" paraid="1438994814" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE">O ambão elevado um degrau acima retoma o ambão antigo que não se trata somente de uma mesa, mas de um espaço. Assim como a própria palavra Ambão vem do grego <i>anabaino</i>, que significa elevar-se, o processo de elevar-se para proclamar a palavra de Deus.</span><span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"> </span><br />
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span>
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge0EmGaBjLirLMmUsUe87W1wn2taO0HUE81ObE5KZXelEiLfBHj5sqohMfmFlULmG_ntXiN_A5OWKazADuo-s1ZIZ023W4lr8oI4F-g4OshlBgxPBIxtjDdyiHZ86mOufiiClYypZaS5o/s640/20171117_172809-01.jpg" width="640" /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{26}" paraid="1438994814" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span></div>
</div>
<div class="OutlineElement Ltr SCXW93842360" style="direction: ltr;">
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{28}" paraid="2025944670" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE">A tríade litúrgica básica se completa com a sédia, que foi desenhada com os mesmos traços e materiais do altar e do ambão. </span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{28}" paraid="2025944670" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><br /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{28}" paraid="2025944670" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE">Madeira, quartzito, granito, mármore, bloco cerâmico. Os materiais brutos com sua beleza desnudada, são belos em sua natureza em sua verdade, assim como os nossa fé cristã, temos uma verdade que é bela por si só.</span><span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"> </span><span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"> </span><span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"> </span><span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"> </span><br />
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvagMjSiWyl2Zcg-o5MHY-SSCA8QZfesNS7Asw2lcKeUG4xo1OHy8vhXFWPbqrrLDxHSDAChAU2hTd2r8QcZ7XIaLEsXwwk0lF0_i1R7AFWXHiHk1DIGaPzM8Z642raNG1Am-LvwoaUok/s1600/20171117_172828-01.jpg" imageanchor="1" style="font-family: "Times New Roman"; font-size: medium; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvagMjSiWyl2Zcg-o5MHY-SSCA8QZfesNS7Asw2lcKeUG4xo1OHy8vhXFWPbqrrLDxHSDAChAU2hTd2r8QcZ7XIaLEsXwwk0lF0_i1R7AFWXHiHk1DIGaPzM8Z642raNG1Am-LvwoaUok/s640/20171117_172828-01.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Capela do santíssimo</td></tr>
</tbody></table>
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{28}" paraid="2025944670" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="EOP SCXW93842360" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;"><br /></span></div>
</div>
<div class="OutlineElement Ltr SCXW93842360" style="direction: ltr;">
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{30}" paraid="2081348785" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE">Nos documentos do concilio vaticano II é constante a indicação de que o presbitério deva ser cristocêntrico. Para isto criamos esta arcada ao fundo, que liga as laterais da Igreja e cria um ponto focal ao centro - ao altar - a cruz.</span><br />
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><br /></span>
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9dgr_NqpiXfYrVx_npzviGHcUKseuY1uCIsp_t4QCMuhPL0LHFRu-Bb6_vMviP82Z9y0XCOgN7Aw2XAApQx3meucEr1hVbODPyDODFukVD9vrsu0LEpDb1BoBBLshkVNE7DQgdLuQDGU/s640/20171117_172934-01.jpg" width="640" /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{30}" paraid="2081348785" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><br /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{30}" paraid="2081348785" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE">Composta de arcos ogivais a arcada foi desenhada simbolizando nosso padroeiro São Miguel. Os cincos arcos formam quatro lanças. No livro do apocalipseo arcanjo Mikael (São Miguel) derrota satã com seu exército. Na arte sacra o principal símbolo de São Miguel são as asas e a espada (ou a lança) muitas vezes também compõe a balança e satã sendo subjugado. </span><br />
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><br /></span>
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WiCrezQdSmDg0CUMlpEQYZ_4l4No1ZhVPvvmgKyaA1854OxiOYvm9fDXTaKqfW7U4lcmRzbI44It6h0sdC9RTW2kMPiRw4qHX7PebsSCyXygJxztbOxaS01qBKKCBn6IZlGjjIBKDl4/s640/20171117_203311-01.jpg" width="640" /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{30}" paraid="2081348785" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span class="TextRun SCXW93842360" lang="QUZ-PE" style="font-family: "calibri" , "calibri_msfontservice" , sans-serif; font-size: 11pt; line-height: 19px;" xml:lang="QUZ-PE"><br /></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{30}" paraid="2081348785" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span style="font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-size: 14.6667px;">Arcanjo Miguel utilizou sua lança para derrotar o mal, a arcada foi desenhada com 4 lanças - que simbolizam os 4 evangelistas e os 4 evangelhos forjam a arma do cristão para superar os piores momentos. </span></span><br />
<span style="font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-size: 14.6667px;"><br /></span></span>
<span style="font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-size: 14.6667px;"><img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid87k-INo1vkd2bz2aSxzPmqG_So0FdNndK2ZKgvRXdOkwbiRyuMaKZGXS-KXlHPATf7k_v_-SAf_ieUfUeNqfvuVmoz-2N871C5BhiQhbk8PCUWL1Xny4bUZJuLSFtWso9rvaVDe8eCE/s640/20171117_172912-01.jpg" width="640" /></span></span></div>
<div class="Paragraph SCXW93842360" lang="PT-BR" paraeid="{09f27b93-eaa7-4196-a99c-c07871729d8a}{30}" paraid="2081348785" style="color: windowtext; padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
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<img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzZW1s4TNs91An7Rzp2W_nPoS_sJ2tDRfWUZfeQjR88WTEwZT6cWG1SP5DPkZotbFzPoTPv8_2EbMqTbpWFCMJEOjEyP1MlIbiJnNJrBaw6_eqLQLXVg5a6EnCvduAe0PedZuVvn4kaNU/s640/20171117_172733-01.jpg" width="640" /></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYKVzrMmRGMvwp1KiB0T0eYuyTmXZXMVG1TCpa36QDb38wi9Bd0uzYzR0S9JyKafAimAnXIml7_dsPAzlSDvCB_ScsVV8FwskU81YK08YYCKqbOGUhDWtGIXP2eP7jaZcn8j12Rb0hmoA/s1600/20171117_173221-01.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1213" data-original-width="1600" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYKVzrMmRGMvwp1KiB0T0eYuyTmXZXMVG1TCpa36QDb38wi9Bd0uzYzR0S9JyKafAimAnXIml7_dsPAzlSDvCB_ScsVV8FwskU81YK08YYCKqbOGUhDWtGIXP2eP7jaZcn8j12Rb0hmoA/s640/20171117_173221-01.jpeg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Porta principal - Cruz celta</td></tr>
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<img border="0" data-original-height="778" data-original-width="1600" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp6BvWC2qT3w02t-yfaMD4FPkX6y6dWLmVDmkPulHrMj6AoEghNukOk_ek_BGblfzff8S6Bp6bWhDFms9_KF0Q1f9Y10hrr7XPH_iVh8L8SQJeDzVCYs1k_xx_hF8-6N_OSX0mtEb7QYY/s640/20171117_173139-01.jpg" width="640" /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyTQG3G03U3M0Omw8m25D8B_F-HfanR-WhPy6bsXXCEyLXouXP4W7j39Cohie7TjDnnIhQzX2UV9MiZapxrigL8S7D6sd0Y1_i5D-wtk9jIK3euz4Z7nKqEhaepjyFRpq1Awubv81z68c/s1600/20171117_221745-01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="857" data-original-width="1600" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyTQG3G03U3M0Omw8m25D8B_F-HfanR-WhPy6bsXXCEyLXouXP4W7j39Cohie7TjDnnIhQzX2UV9MiZapxrigL8S7D6sd0Y1_i5D-wtk9jIK3euz4Z7nKqEhaepjyFRpq1Awubv81z68c/s640/20171117_221745-01.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Inauguração Diácono Paulo e Padre Onildo</td></tr>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-88128765741630249542017-09-10T17:58:00.000-07:002017-09-10T19:18:56.263-07:00■ Igreja Matriz São Pedro | Sorriso MT | Autor Arq Ed.Faust<div class="OutlineElement Ltr SCXW247538568" style="direction: ltr;">
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<div class="Paragraph SCXW247538568" lang="PT-BR" paraeid="{5d7ca818-288f-4400-a84d-aa95b82193c3}{18}" paraid="1006777193" style="padding-left: 0px; padding-right: 0px; vertical-align: baseline;" xml:lang="PT-BR">
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">■ Localização | Sorriso MT </span></span><br />
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">■ Diocese de Sinop – Paróquia São Pedro </span></span><br />
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">■ Pároco | Padre Valdir Koch </span></span><br />
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">■ Autor | Arq Eduardo Faust </span></span><br />
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">■ Projetos | FAUST arquitetura & engenharia </span></span><br />
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHF2wP4XRsiZ9rH6dBWSq9hLLF16kgpZbAaCCOuJK5ZoZQzPGo4tiv5a0V_cwQja17ToruCBsfBAJFKR1bHwaSUZkBr2ea9vFL6RyxkQodBXVyUtXRvsDNCuO6YYV3gtJTis2T3i7MkUg/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+07.jpg" width="640" /></span></div>
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJTcBcVT3v78riV6UQwXgdPSfMmnd4ZOmlj68xhUeQukkuzw16UtzguAp-gPFKxqNX9chx8WBB8-STLPIg3-t3EgO8Yi_JWJeAHa6ySyvFoJrVO-84MxKWCD1P7Qhd07biswg9s9uiRgM/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+14.jpg" width="640" /></span></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">A cidade de Sorriso é chamada de capital do agronegócio e a maior produtora de soja do mundo, em meras três décadas, ele deixou de ser uma vila para tornar-se uma cidade de oitenta mil habitantes, este crescimento fez rapidamente o edifício da Igreja matriz [construída de forma provisória] tornar-se pequeno e inadequado aos novos padrões da cidade. </span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">O projeto da nova Igreja conta com a Igreja matriz São Pedro e uma Igreja secundária [Igreja Santa Teresinha] estão no mesmo espaço, somando 3400,00m2. </span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit; font-size: large;"><b>■ O edifício, espaços e invólucro. </b></span></span><br />
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<span style="font-family: inherit;"><span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"> </span><span style="color: #464646;">A arquitetura é uma releitura do gótico e do românico tardio. Podemos ver estas características nos seguintes pontos: </span><span style="color: #464646;"> </span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Colunatas com arcos de plena cintra dando ritmo a toda edificação; </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikpvUpZ2AlLTgLRvP4p0kuCjchVJRCAjqNTkC48ElnuWsCHb3qO-oIaf38M0w-HEbPfns_F2GaLP-wCIvuTmq6waPM_UfKhHRqHKZMIkF1U-UX5Mh-oCQXt5y-GlCdnDB4pDsfCFTCkTM/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+03.jpg" width="640" /></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5evFqulQLBTAnDuAarCLlgyx3EubyF-L6WKnNSvbglMyC4EpwFaOqEwsAP0LIzO0RK2xKWVY7nz0EdxQ2IMsXBQpOokvPwjtdqZPVQV5FFhQoDAy89ycm4a4_WVNIpf36tM4kaTDEsxQ/s1600/20161118_114020.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5evFqulQLBTAnDuAarCLlgyx3EubyF-L6WKnNSvbglMyC4EpwFaOqEwsAP0LIzO0RK2xKWVY7nz0EdxQ2IMsXBQpOokvPwjtdqZPVQV5FFhQoDAy89ycm4a4_WVNIpf36tM4kaTDEsxQ/s320/20161118_114020.jpg" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">Basílica Santo Ambrósio - Milão Itália</span></td></tr>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Edifício em formato cruciforme. Podemos ver o formato da cruz [interna e externamente] porém resolvi a estrutura de forma diferente das antigas Igrejas de pedra, mais leve e sem pilares ao centro, fazendo uso do sistema construtivo atual. </span></span><br />
<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1-NFiXFa9D7wKHN-tOtcsRoUGAQS_y58AJjzrJLjebKsVlQm4T_TJCWAQNl-9O6HXnHitua2Pfn4xni_uWvUWcaoEdL-pFtDJG51uMVwhAgbaCnrMdootlxnNauG-f0MdeFUwgFDpGVU/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+09.jpg" width="640" /></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwvd2op1fX8GL5b8ZDrid_MoEmW5iSxDYJkrO761fR9Ipe3J2L1ZxCS3qxsqAcnILxdnGnntM6QSl-nwzDTS4esgNHILfj7KqVWSQk1vSOPIr8gnkuSKHfrtGUUTNq_oQG0BWa7Z4zFYA/s1600/Koeln_RdFlug_2.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwvd2op1fX8GL5b8ZDrid_MoEmW5iSxDYJkrO761fR9Ipe3J2L1ZxCS3qxsqAcnILxdnGnntM6QSl-nwzDTS4esgNHILfj7KqVWSQk1vSOPIr8gnkuSKHfrtGUUTNq_oQG0BWa7Z4zFYA/s320/Koeln_RdFlug_2.JPG" width="240" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">Catedral de Colônia, Alemanha</span></td></tr>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Fachada com dois campanários e nave central com rosácea. Nesta fachada fiz uma mescla compositiva entre desenho contemporâneo e a simplicidade do românico. </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHCA4TJ_-l9Wui8uJ635gyzncjzBi9JdDw3hNV71z7LUAlDanq2eXDPIM2sHVsOJ01JdkiQy30MIj7ze84PU64R49ZArvpTN3xOK8dm2hGSF9fsdkV08b_8jECLtD5G2m1HdqqO0QiLmw/s1600/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHCA4TJ_-l9Wui8uJ635gyzncjzBi9JdDw3hNV71z7LUAlDanq2eXDPIM2sHVsOJ01JdkiQy30MIj7ze84PU64R49ZArvpTN3xOK8dm2hGSF9fsdkV08b_8jECLtD5G2m1HdqqO0QiLmw/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+12.jpg" width="640" /></span></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA7q5oR8Sahd63JCpbCCOICjwRzmUhs6QB5HObULT5ts-2WpoTWaHbX9hVVgXeb72uCiZiRx_IhlxSC5qLwrtZ8vhk7oiOC9rUw4NVKaTythmt3pgRK5zzwCyrmosIOQyS9dRfrD0fo3I/s1600/Cattedralebitonto_Aquileia+Basilica+Patriarcale+.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: inherit;"><img border="0" data-original-height="979" data-original-width="1157" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA7q5oR8Sahd63JCpbCCOICjwRzmUhs6QB5HObULT5ts-2WpoTWaHbX9hVVgXeb72uCiZiRx_IhlxSC5qLwrtZ8vhk7oiOC9rUw4NVKaTythmt3pgRK5zzwCyrmosIOQyS9dRfrD0fo3I/s320/Cattedralebitonto_Aquileia+Basilica+Patriarcale+.JPG" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">Basílica de Santa Maria Assunta. Aquileia, Itália.</span></td></tr>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Simbologia da Rosácea: "Graças à ternura e misericórdia de nosso Deus, que nos vai trazer do alto a visita do Sol nascente, que há de iluminar os que jazem nas trevas e na sombra da morte e dirigir os nossos passos no caminho da paz." Lucas 1:78,79 </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3LDEtPfzLEhSAlJTyrTZ8n0qWxI65SZOt3Ev9zjNa8laxohvurZHDJBPmmVsifjVOJvfGVz_vVQyfhs5yrVfXFni8mQ6v5NUHSsrB_AwI7D0SHZ2SsIutgIpXOt3Dlux8fbPZmd4bBek/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+04.jpg" width="640" /></span></div>
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpLE9_yUZJWfVINAn3kNeLBB0MqoY_P744Ekx2Vju6cOOxyf-6MYlPx5CIlmetzgHREZhwTkjujRIc168lfQ46CHDK-zku-hadUPoau7Va2c8R1ZtxzZ9quMrI8RXwVHeQSlEUt0kXqWA/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+25.jpg" width="640" /></span></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">As Igrejas do românico tardio e do gótico possuem belas fachadas de fundos, utilizei estas composições como base para a entrada da Igreja menor que seria "os fundos" da Igreja Matriz. </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfTtipC7rqgCcNBbdtaXPTjw9cy18y4UkNvY40NILfgQuODMaHwp9nFPt9KbXwNlF84ZibeHTUA0V_h_YZcdEpE40WTBz5aD4oc9mzuGRn1AsLJLH0rzQAaR7Pal88jAoYlptA2D3G4e8/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+02.jpg" width="640" /></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmnETYHzoU1_4qL4E3WyaAswmWtFmyGDVy0wlTySqzKDcnWzc_Ia54CbTjgO3g0SegI6c5sceh24jzKc-uREePPuzHGcLhmmzLzoJLO3JEUvhi82wOzjE4y0vb7tI9ZQbIBrMkQzlv1_s/s1600/speyer+cathedral.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: inherit;"><img border="0" data-original-height="1345" data-original-width="901" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmnETYHzoU1_4qL4E3WyaAswmWtFmyGDVy0wlTySqzKDcnWzc_Ia54CbTjgO3g0SegI6c5sceh24jzKc-uREePPuzHGcLhmmzLzoJLO3JEUvhi82wOzjE4y0vb7tI9ZQbIBrMkQzlv1_s/s320/speyer+cathedral.jpg" width="214" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">Catedral de Speyer, Alemanha</span></td></tr>
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<span style="font-family: inherit;"><span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"> </span><span style="color: #464646;">Uso de abside com cúpula e colunata, são elementos que acompanham os edifícios católicos desde o século IV. Além da tradição, adotei este elemento para dar ênfase a capela do santíssimo e emoldurar o presbitério, além de fazer a transição do volume da Igreja matriz para a igreja menor. </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq-oR3cy1IfHmS-6XRgijdyK4vGCWNV3z2_fPo8SD0vuQjzEhh0MaUvDJPl0_vdu6xqVRG0YArFq90sOqjzfjHnsTnQ0sS-4lQ2lgpPXNtN39qNw1xOtfSBLx9YNGvQ1M2gAnFw4ROtwQ/s1600/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+11.1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq-oR3cy1IfHmS-6XRgijdyK4vGCWNV3z2_fPo8SD0vuQjzEhh0MaUvDJPl0_vdu6xqVRG0YArFq90sOqjzfjHnsTnQ0sS-4lQ2lgpPXNtN39qNw1xOtfSBLx9YNGvQ1M2gAnFw4ROtwQ/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+11.1.jpg" width="640" /></span></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpB08vsNlVhwSXuJMGegZD9HhqC53-54OrJCh5KqmiNTbQ6z7f4QynAYjWgNSz5CKI_LFxylsvcYyoqudT2JyLjjpBbwsNRLju0f1U4MZ7CMqiItvEDpbmVGgorI2oKXFfsmMWzzA72uQ/s1600/Santa+Maria+de+la+Moreruela.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpB08vsNlVhwSXuJMGegZD9HhqC53-54OrJCh5KqmiNTbQ6z7f4QynAYjWgNSz5CKI_LFxylsvcYyoqudT2JyLjjpBbwsNRLju0f1U4MZ7CMqiItvEDpbmVGgorI2oKXFfsmMWzzA72uQ/s320/Santa+Maria+de+la+Moreruela.jpg" width="240" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">Santa Maria de la Moreruela. Zamora, Espanha.</span></td></tr>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit; font-size: large;"><b>■ As chaves </b></span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">"Eu te darei as chaves do Reino dos céus: tudo o que ligares na terra será ligado nos céus" Mateus 16:19 </span></span><br />
<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Vemos em e pontos as chaves de São Pedro: </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="599" data-original-width="506" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTq8BeUoJbOSBRX7j1Qu5RbaRIySL-6YOH1Rgzhc4Ss6ZUTriswHjemIqHdrsOrvjGnl-6jPn51AlNX7NFBzslaGVI_cDGtnU5AVccNxPxiOnnLItrMncPhyphenhyphenJMNlz8jLvCSKMmZsmmIVk/s320/506px-Gesupietrochiave.jpg" width="270" /></span></div>
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<span style="font-family: inherit;"><span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"> </span><span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;">Na fachada escrevendo na paisagem urbana que ali se situa um edifício religioso, religião do latim religare, ligar o homem a Deus - "(...)tudo o que ligares na terra será ligado nos céus." </span><span style="color: #464646;"> </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3aT464P-7ENkHjAUFyV8Z_rFWjDwH1eU9Abp6cuPAWZptKUmRZmAZNrSnWX7M1N7Iany2HqAtm6vWVrCFDwqT9lFH-0USBQQfFkKMzEbE1shJiZwco1QRJ3tZXAseA0KcC_0j6k7_hxc/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+06.jpg" width="640" /></span></div>
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTBdDbwocOHZLThHan9n_OBuOSOit2KvWxRidi79yAC8F_vI3kL1XBd4N0Bvo2P584u3SBM9bWBV83ADV0TAEwiwmpFsy2uhBouiSP0eI3x7nUcqADoYhG3_UYxD_t-IhUmcylgJapz4Y/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dext+11.jpg" width="640" /></span></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Logo ao adentrar, no átrio, marcando a entrada do profano para o sagrado </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqinfiBRrKLdwDH4MCF0A0BjtMRHF2YxHQW30z5uc1oZH3a2d5C-ODvLBVU2H-STERJFKyylSneaMQrJJWU2QAOXyAwwpwqgvECe5cYa7r8GbgqB54yfazKs2Lw9hsbgd-TEDjI1P1Tp8/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+35.jpg" width="640" /></span></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Sob o santíssimo, sendo no corpo de Cristo nossa ligação entre a terra e o céu. </span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHpBZukBV8eoMvHPE2fj3Cj5tc0VN_Aj3ukkQtZSuARABTJv04LYHK56k2nT_4QlgDhDpr74bdizrMJy0oms8dxECG_WSC9lJucBV0v_QdX4MfYf8J31-WX_3UkIyMACWZFamWDseF-Eg/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+34.jpg" width="640" /></span></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit; font-size: large;"><b>■ Presbitério </b></span></span><br />
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<span style="color: #464646; font-family: inherit;">Altar centro da liturgia está disposto ao centro convidando a assembleia ao grande banquete pascal. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-BHcec0DL2PH70a2uPgs9VPBGsFM1w1z-pxQ2lrQf57Hucwkcx6HKv7aNFlU9X55YaE5JLa95ELPOgPT9z32CDBzVooXFTX-G-DiA0rIKA60dyCFTMhAmJL5qkqyxXinGmUZr58k16Iw/s1600/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-BHcec0DL2PH70a2uPgs9VPBGsFM1w1z-pxQ2lrQf57Hucwkcx6HKv7aNFlU9X55YaE5JLa95ELPOgPT9z32CDBzVooXFTX-G-DiA0rIKA60dyCFTMhAmJL5qkqyxXinGmUZr58k16Iw/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+14.jpg" width="640" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr6g04xQUD28m9cz53r6fbGJJq_61km_qxSh2QPcAX2NeOAnYmb1trxYdcVMkCsA9_SV1UFJCX87iJYbWMI3obu8qmZDO6rEWKGIfCsGQixCavU1WKRrPUtBGWyaxZztMyD1cXi25HzPw/s1600/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr6g04xQUD28m9cz53r6fbGJJq_61km_qxSh2QPcAX2NeOAnYmb1trxYdcVMkCsA9_SV1UFJCX87iJYbWMI3obu8qmZDO6rEWKGIfCsGQixCavU1WKRrPUtBGWyaxZztMyD1cXi25HzPw/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+18.jpg" width="640" /></span></a></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Do altar brotam os quatro rios do paraíso que geram os oceanos da terra.</span></span><br />
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<span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE8gUXThJ7yYx78pkOSIRYoFSLB8NSbTrfDi5Oa_H6K5m2zyrLkbfvXysJn2iqg2QZq8lh9l6Xtm_UwvOgUkFZA6Q-8-OjFwkiUi_LClPsxDf8sQhYf2fzxGndtUGPuZTL7rYyTPHouyg/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+08.jpg" width="640" /></span></div>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;">O mesmo piso que simboliza os 4 rios formam uma cruz com o cordeiro de Deus [o altar do sacrifício] ao centro. </span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyE_SL6IcfMidMQWcgjDDdw9gsiflzpgJvfb2FLw4x8Z75s9dYg_-qq5wme4N-ILrf6MqmxQhB0Jt0BgEcfSoSodwqt0F8UPRDiXjD9u8ZqxfUAS-_rYFodHDjhN-5eCbOT0NQpR2gBbs/s1600/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><span style="font-family: inherit;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyE_SL6IcfMidMQWcgjDDdw9gsiflzpgJvfb2FLw4x8Z75s9dYg_-qq5wme4N-ILrf6MqmxQhB0Jt0BgEcfSoSodwqt0F8UPRDiXjD9u8ZqxfUAS-_rYFodHDjhN-5eCbOT0NQpR2gBbs/s640/196+%255BSorriso+-+S%25C3%25A3o+Pedro%255Dint+03.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">Altar, Ambão, Sédia e Santíssimo</span></td></tr>
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit; font-size: large;"><b>■ Capelas </b></span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Batistério | Pia batismal em formato de cruz nos remete ao período paleocristão, na igreja foi relida e está adequada a batismos por imersão e aspersão tanto de crianças como de adultos. Agradeço a artista Mari Bueno. </span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Santíssimo, além da chave já citada, 8 linhas levam ao sacrário, simbolizando o oitavo dia. </span></span><br />
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<span style="color: #464646; font-family: "calibri" , "calibri_msfontservice" , sans-serif;"><span style="font-family: inherit;">Nossa Senhora do Sorriso [padroeira da cidade] e São Pedro [padroeiro da paróquia] possuem duas capelas voltadas para o altar.</span></span><br />
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<b style="color: #464646;"><span style="font-family: inherit; font-size: large;">■ Igreja Santa Teresinha - Igreja Menor</span></b></div>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-14645568291009114472017-08-28T20:11:00.000-07:002017-08-30T18:05:51.817-07:00■ V Congresso Internacional de Arquitetura Religiosa Contemporânea | Santiago Chile<div style="text-align: justify;">
Do dia 23 a 27 de agosto de 2017 aconteceu o <i>V CONGRESO INTERNACIONAL DE ARQUITECTURA RELIGIOSA CONTEMPORÁNEA no SALÓN DE HONOR e no PLANETARIO</i> da <i>UNIVERSIDAD DE SANTIAGO DE CHILE.</i></div>
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<tr><td class="tr-caption" style="text-align: center;">Santiago do alto do arranha céu, Costanera Center</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Planetário Universidade de Santiago do Chile</td></tr>
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Participaram do congresso arquitetos e historiadores dos países: Chile, Espanha, Portugal, Romênia, Hungria, Estados Unidos, Argentina, Equador, Peru, México, Itália e Brasil.</div>
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<tr><td class="tr-caption" style="text-align: center;">Salón de Honor, Universidade de Santiago do Chile</td></tr>
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Com organização impecável do Arq Dr.Esteban Fernández-Cobián [Universidade da Coruña, Espanha] e do Arq Dr Rodrigo Vidal Rojas [Universidade de Santiago de Chile] o tema foi: <i>Arquitectura protestante y Modernidad. Hitos, transferencias, perspectivas.</i><br />
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Aproveitando que em 31 de outubro de 2017 completa cinco séculos que Martínho Lutero pregou suas teses na porta da igreja do castelo de Wittenberg (Alemanha), iniciando um processo revolucionário no cristianismo que marca a historia de Ocidente.</div>
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<tr><td class="tr-caption" style="text-align: center;">Um dos organizadores arquiteto chileno Dr Rodrigo Vidal Rojas · Universidad de Santiago de Chile </td></tr>
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Lección inaugural. Dra. Jeanne H. Kilde - University of Minnesota (EEUU). Protestant</div>
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Theologies and the Problem of 'Sacred Space': Divine/Human Relationships in American Churches since 1945</div>
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Lección magistral. Dr. Zorán Vukoszávlyev - Faculty of Architecture of Budapest University of Technology and Economics (Hungría). Space forming a community - community forming a space Architectural evaluation of idealized form for Protestant Churches in Europe after 1918</div>
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<img border="0" data-original-height="842" data-original-width="1600" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSWJC6yoX99ib4tSkt-UJz6xRlrija7NG35FA02wOEXzwnVSE70DWjDm2kx8sKGE8RXxM_fKimoN0DjiT0B9S7BST8OYtDRf3c_VhMJHzLKeaRhHFKDlCPtOvW6zAGjl3velQeN_D0G7w/s640/IMG_20170824_095508257-01.jpeg" width="640" /></div>
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Forma, estructura y simbolismo: un proyecto moderno en Brasilia para la Iglesia Nacional Presbiteriana</div>
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Christian Michael Seegerer · Universidad Presbiteriana Mackenzie (São Paulo)</div>
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<br /></div>
<div style="text-align: justify;">
La predicación en la tradición calvinista. Un caso de estudio basado en templos presbiterianos en Santiago de Chile</div>
<div style="text-align: justify;">
Marcone Bezerra Carvalho · Universidad de Los Andes (Santiago de Chile)</div>
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<div style="text-align: justify;">
Templos protestantes neogóticos e ingenieros civiles: entre la innovación constructiva, las inercias estilísticas y el simbolismo religioso</div>
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Iván San Martín Córdova · Universidad Nacional Autónoma de México</div>
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¿Son protestantes nuestras iglesias modernas? La recepción en España de la capilla del Politécnico de Otaniemi</div>
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Esteban Fernández-Cobián · Universidade da Coruña (España)</div>
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<div style="text-align: center;">
<img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDIfULp0KVFzwmtlZkS7TD0YSBKNlFBw5eDtv9ggHaYPH4ivUfuOdZQoB9HI4xzRqHII3UnhosoohT3_rgFUoVjKNO-OgIkM9zDYQ0Xkz1ZR1TdU3qX-JHbn9FqbyYHx_LrS6fmY5BuM/s640/IMG_20170824_123058600.jpg" width="640" /></div>
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Protestant space-continuity. Architectural–structural–liturgical coherences of the hungarian</div>
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protestant church architecture in the 20th century</div>
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Eszter Baku, Erzsébet Urbán y Zorán Vukoszávlyev · Faculty of Architecture of Budapest</div>
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University of Technology and Economics</div>
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In the World, but not of It: Quaker Influences on Robert Venturi’s Chapel for the Episcopal</div>
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Academy</div>
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Andreea Mihalache · Clemson School of Architecture (EEUU)</div>
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<br /></div>
<div style="text-align: justify;">
Louis Kahn en Rochester. Arquitectura protestante y modernidad</div>
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Nuria González · Investigadora independiente (Madrid)</div>
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<br /></div>
<div style="text-align: justify;">
El Movimiento de Renovación del Arte Religioso Portugués (1952/67). Contaminaciones y transferencias</div>
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Bernardo Pizarro Miranda · Universidad de Lisboa (Portugal)</div>
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<br /></div>
<div style="text-align: justify;">
Protestantismo y movimiento liberal. La congregación metodista de El Divino Salvador en Pachuca, Hidalgo, Mexico</div>
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Héctor García Escorza · CIMA-UNAM, México</div>
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<br /></div>
<div style="text-align: justify;">
La forma central en edificios católicos y protestantes. Simbolismo, tradición e innovación para la</div>
<div style="text-align: justify;">
renovación de la arquitectura religiosa del siglo XX</div>
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María Diéguez Melo · Universidad Nacional de Educación a Distancia (España)</div>
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<br /></div>
<div style="text-align: justify;">
Expresiones del protestantismo en el Río de La Plata</div>
<div style="text-align: justify;">
Diana Beatriz Maggi · Facultad de Arquitectura y Diseño, UCALP (Argentina)</div>
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<br /></div>
<div style="text-align: justify;">
La tipología religiosa contemporánea: transferencias y variantes funcionales y espaciales en la</div>
<div style="text-align: justify;">
región Cordobesa</div>
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Rebeca Medina · Universidad Nacional de Córdoba (Argentina)</div>
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<br /></div>
<div style="text-align: justify;">
Lugares para el bautismo, reforma y modernidad en los decenios centrales del siglo XX. La mesa</div>
<div style="text-align: justify;">
duplice del Vaticano II y los tres polos litúrgicos del mundo protestante</div>
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Andrea Longhi · Politecnico di Torino</div>
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<br /></div>
<div style="text-align: justify;">
<div style="text-align: center;">
<img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlKnyqfMVQf99NryLI2hzxVolD3TEE6CS-vBfiFvCuOH18Bn96j3TDv9HUDLQRbakDS_eNrO1uSggyiujdgjLZM1OZcRtcOV5vc0wCROu4WdNvRNVxzl1benvWFvyaS_9ymVsi4VOBKH4/s640/IMG_20170825_094108861.jpg" width="640" /></div>
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<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
La reconstrucción de posguerra y la Modernidad como nexo ecuménico: Campo de Caso</div>
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(España), Bochum (Alemania) y Coventry (Inglaterra)</div>
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Noelia Fernández García · Universidad de Oviedo</div>
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<br /></div>
<div style="text-align: justify;">
Sacred Spaces – Light, Silence and Matter</div>
<div style="text-align: justify;">
José Fernando Gonçalves · Architect (Oporto)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
El cine revivido</div>
<div style="text-align: justify;">
Alberto Sato Kotani, Gabriela Jiménez, Javiera Varas Schumacher (Universidad Diego Portales,</div>
<div style="text-align: justify;">
Chile) y Juan Vicente Pantín (Universidad Central de Venezuela)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
La arquitectura moderna y la expresión religiosa protestante. Una propuesta teológica de Paul</div>
<div style="text-align: justify;">
Tillich y la expresión arquitectónica de Fábio Penteado</div>
<div style="text-align: justify;">
Márcio Antonio de Lima Junior · Universidade de São Paulo</div>
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<br /></div>
<div style="text-align: justify;">
La inserción espacial de la Iglesia Evangélica de confesión Luterana en Brasil y sus lugares de</div>
<div style="text-align: justify;">
culto. Del espacio de culto a la teología del lugar. Perspectivas para la actualidad</div>
<div style="text-align: justify;">
Éder Beling · Faculdades EST, São Leopoldo (Brasil)</div>
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<br /></div>
<div style="text-align: justify;">
<div style="text-align: center;">
<img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX8bSQXOvknMISBQhHyRDXastacX5PJEnEpgSS5qK-48d-wFgZ_35vi-r7PvFNdYDfU3vOwGjvnAzSdeNkCNVu3tvIR45vS43GsATifxHp3egxrxMd6fjRm40OhdOw8H3u9hgK-dWMCSw/s640/IMG_20170825_121203215.jpg" width="640" /></div>
</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
El acento católico. El espacio sagrado conciliar y la influencia alemana y protestante – (Vía</div>
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SKYPE)</div>
<div style="text-align: justify;">
Rafael Ángel García Lozano · Universidad Pontificia de Salamanca</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Taller Templos Comunitarios. Una experiencia docente e inter-religiosa en la Universidad Técnica</div>
<div style="text-align: justify;">
Federico Santa María</div>
<div style="text-align: justify;">
Freddy Bastías Gómez y Pablo Silva Gopfert · Universidad Técnica Federico Santa María,</div>
<div style="text-align: justify;">
Valparaíso</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
¿Qué arquitectura protestante 500 años después?</div>
<div style="text-align: justify;">
Rodrigo Vidal Rojas · Universidad de Santiago de Chile</div>
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<div style="text-align: justify;">
Lección de clausura. Dr. Michael J. Crosbie - Faith & Form (EEUU). Defining the sacred.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<div style="text-align: center;">
<img border="0" data-original-height="983" data-original-width="1600" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdglK7RljSZXFxgUfU1tzXYfXB6hwXtSZQ0ZKeWeteefdYubbua5wuei4lQTxBcfpvPl5IwooQ2D89kq8kr3ae1MUx876iJBBVSsFOBqRTe2e68uAGejQCwWRyssVc-LlYd2Nwab0cBPE/s640/IMG_20170825_190734871-01.jpeg" width="640" /></div>
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<div style="text-align: justify;">
Ao final foram feitas visitas a 10 obras religiosas em Valparaíso e Santiago, parte delas com os arquitetos autores no local explicando suas obras.<br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQY5JZfz8oWki7sZWYxl1U2FvHvN37R-XhN7iD8aF47zaOEuoJA1OnIY0H2VXD3F5YZVaN_HujHWCGKzRa703TQKr_ZJOts7EKUKkT2UnSdlPJ5QCwQ0YXWJ0gu5WRvlvoGavq0Ct5Vzk/s1600/IMG_20170826_142908654-02.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="872" data-original-width="1600" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQY5JZfz8oWki7sZWYxl1U2FvHvN37R-XhN7iD8aF47zaOEuoJA1OnIY0H2VXD3F5YZVaN_HujHWCGKzRa703TQKr_ZJOts7EKUKkT2UnSdlPJ5QCwQ0YXWJ0gu5WRvlvoGavq0Ct5Vzk/s640/IMG_20170826_142908654-02.jpeg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Arq Eduardo Faust (Brasil), Tradutora Carla (Chile). Dr Michael Crosbie (Estados Unidos), Arq José Fernando Gonçalves (Portugal), Dra Andreea Mihalache (Roménia), Dr Andrea Longhi (Itália), Dr Esteban Cobian (Espanha)<br />
<div>
<br /></div>
</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_hQ8p8fmtXIbqTNX6y31RBlmepJtdqmGYIQTlERya2XGiQN57aatK5-uRI81InO6wtSI7QnXQYYM_XufLHlzyLUJCWj4WF4yVhjSNFkZwfX0C4ATKJqq7aE7E3_25rzto2vlG90FjuU0/s1600/IMG_20170827_113024448_HDR-01.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_hQ8p8fmtXIbqTNX6y31RBlmepJtdqmGYIQTlERya2XGiQN57aatK5-uRI81InO6wtSI7QnXQYYM_XufLHlzyLUJCWj4WF4yVhjSNFkZwfX0C4ATKJqq7aE7E3_25rzto2vlG90FjuU0/s640/IMG_20170827_113024448_HDR-01.jpeg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Templo Bahá’í, Peñalolén / Hariri Pontarini Architects (2002/16)</td></tr>
</tbody></table>
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<img border="0" data-original-height="1600" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgklLHT4-7W8FxAkvElAH1E-SNSotaO99-X_MWVoB_IfbS3UC5d761WfZVsZ7s3Q0rwDs8p8P137i_b1p3wLy4SLD1p-bMQeKVtro0W2k3hopo7ca6-g_14M9z5PLWwvpynKeZg9OyKK4I/s640/IMG_20170827_111327064_HDR-01.jpeg" width="360" /></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPJvcFALrAB2Q4hO21KT1gJ2g3ygTh_6kjGliArGdZvQHzFmcjxS5IAzo1ENgbYbYtM11YRpetfr7591JllFqSxnKYRW2dcxJjWRzyEDe2EvM-vbBQQj3Zlay25eDyEHz-Hml-0iOXHBA/s1600/IMG_20170827_125257366_HDR-01.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPJvcFALrAB2Q4hO21KT1gJ2g3ygTh_6kjGliArGdZvQHzFmcjxS5IAzo1ENgbYbYtM11YRpetfr7591JllFqSxnKYRW2dcxJjWRzyEDe2EvM-vbBQQj3Zlay25eDyEHz-Hml-0iOXHBA/s640/IMG_20170827_125257366_HDR-01.jpeg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Mosteiro dos Beneditinos, Martín Correa y Gabriel Guarda osb
(1962/64)</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8FHb10-QvC7yoYSINuEF3yvx45DLnMppG_sZkWXvCkcmV-BuoutYghVDg8kInK_rkt5XIavhoQpp9Y0OGf3lzu8F9-eBZeCaYvDPfpcTKCK3wjQBJMuRYs2yRr8nbHlmDd4By17rC31k/s640/IMG_20170823_161230925-01.jpeg" style="margin-left: auto; margin-right: auto;" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Catedral Metropolitana de Santiago, Joaquín
Toesca, Matías Vásquez de Acuña, Ignacio Cremonesi (1748/1800)</td></tr>
</tbody></table>
</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjXT7mf3qaD-li1BN5JIoHg3Y1dWK_A-ZCMUlobq_tSk_vbmoVCWOPnpHVVhyphenhyphenCr0Eo2EH84P6Tmyp1FKZG2UP8zysxzzOmt1jB7s5P4l4iOWA7GxUEAaHg2Fc7B1u42bEgEfTISZYRA5Y/s1600/IMG_20170826_121601620-01.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjXT7mf3qaD-li1BN5JIoHg3Y1dWK_A-ZCMUlobq_tSk_vbmoVCWOPnpHVVhyphenhyphenCr0Eo2EH84P6Tmyp1FKZG2UP8zysxzzOmt1jB7s5P4l4iOWA7GxUEAaHg2Fc7B1u42bEgEfTISZYRA5Y/s640/IMG_20170826_121601620-01.jpeg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Igreja Luterana da Santa Cruz, Cerro Concepción / Irmãos BliederHaüser (1897)</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqyFdxQNw-d7R6dD5y3V0GCYbB2zK5WygjBApuC-UkilZX3eLqEi3u0M3KMxWxFYYASQEnMYa80jag3u6VwfdaDMnkmoB9nE9uFoZc7jRNoQACP1UJrZ4FnQIzcCyisANa8Ui-kZhodf4/s640/IMG_20170827_153144120_HDR-01.jpeg" style="margin-left: auto; margin-right: auto; text-align: justify;" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Capilla del Espíritu Santo, Puente Alto / Cazú Zegers (2006)</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvFsQZqKCs2Z0A_LDMTUFlmyi0i8T9LeFzUovFTNM8dlUIJa_csiZqS7kCC8fZyqRwzw8w_bGD4HIGp-_or-CxoLVRRlgVKsy97CIde6HrF0HhJCF_M6a4t5Dl6BDgmF53DfuYVTm92M/s640/IMG_20170826_161114432_HDR-01.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Igreja Union Church, hoje Templo Presbiteriano, John Livingstone (1870)</td><td class="tr-caption"><br /></td><td class="tr-caption"></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7xeJSgSuXacAUAwIWU9ORD9JXMyeWw2HL24wJ4vSpCR2MxjMz579blZrAw0R9ItZ-ML_vkv_h_mgycRLrarLX-z__f32hahV-T04_SI-SEGS19HBHXwdfId2T13L1ebmSs9kiaWOH-7Q/s640/IMG_20170826_191804251-01.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Capilla San Alberto Magno / Juan Pavez Aguilar y José Requesens Aldea (2014)</td></tr>
</tbody></table>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-57904352086170721772017-07-10T10:44:00.000-07:002017-07-10T10:44:55.806-07:00■ Igreja Profeta Elias - murmúrio de uma brisa ligeira. | Curitiba PR | Autor Arq Ed.Faust■ Localização | Curitiba PR<br />
■ Arquidiocese de Curitiba – Paróquia Profeta Elias<br /> ■ Pároco | Frei Edmilson Carvalho Ocarm<br /> ■ Autor | Arq Eduardo Faust<br /> ■ Projetos | FAUST arquitetura & engenharia<br /> ■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato<br />
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<span style="font-size: large;">Redemoinho</span> que leva Elias - <span style="font-size: large;">o manto que cai</span> - o murmúrio de uma <span style="font-size: large;">brisa ligeira</span>.<br />
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<img border="0" data-original-height="1403" data-original-width="1600" height="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZxjzPhcsRLIfjXrP3VjNmRi7OJsn9MPxB2a19RIOotS3TSIic4M38-cdKVbTfZI7DqszEaWhgy_BCGdliYaCu6ScU8rRvmVc1ZZYtz8HSzgvw9W8cNdRJKw_Aaq2xpM8MDrnCfRXWLdM/s640/160_conceito.jpg" style="text-align: center;" width="640" /><br />
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■ Localização | Curitiba PR<br />■ Arquidiocese de Curitiba – Paróquia Profeta Elias<br />■ Pároco | Frei Edmilson Carvalho Ocarm<br />■ Autor | Arq Eduardo Faust<br />■ Projetos | FAUST arquitetura & engenharia<br />■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato<br />
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<b>Análise</b><br />
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A igreja foi desenhada respeitando o terreno de esquina, dando ênfase a torre localizada no vértice agudo iniciando um eixo simétrico que liga a torre ao altar. O uso de materiais brutos como o concreto aparente e a madeira, dão identidade a edificação e nos remete a caverna de Elias – “<strong>murmúrio de uma brisa ligeira</strong>“.<br />
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<img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEWlU7LlGR35j_gk6-AzSDtI6KZyORUAUTyTCqAywxSktV-ixGbPzLoymHhUXg6InTMP7doUAIAfBhMh33NwkLTJzORUIe-5Xbid6z_OTOI1Tgsb3iQBZPJwX-JTEzVAid24MWm1Q8G8U/s640/DSCN1765-01.jpeg" width="640" /><br />
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<b>Proposta</b><br />
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A expansão da área interna foi um desafio pois não poderíamos perder o
desenho simétrico da edificação, para aproveitar ao máximo o espaço as
sacristias, os lavabos e outras salas foram deslocadas para uma
construção anexa.<br />
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Em formato de semicírculo [com o altar e cruz no ponto central] a
assembleia foi desenhada colocando os fiéis em torno da mesa da
eucaristia para o grande banquete pascal. Nela foi calculada uma
iluminação indireta, amarela, que somado aos materiais naturais busca
aconchego e silêncio, convidando a oração quem adentra a Igreja.<br />
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<img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO2YcaoHpaF0ckcAtGsNfsqcp-4M1-VCovHiZy2YqXP1v4DDqWwVH0jGNRlPOzLzUKJyL0u1qWmtclzKzpaKTOAVqFqP4sdrCgoiipOH4oi4Pc7c7YmyOdZcEaO-WfutGk5TtL8CUpgqU/s640/DSCN1615-01.jpeg" width="640" /><br />
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Seguindo instruções do concílio vaticano II e a linguagem brutalista do
edifício o mobiliário litúrgico foi desenvolvido em pedra, este mármore
natural mostra a sua verdade estética e a Verdade que as peças sagradas
devem nos inspirar.<br />
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O peso da pedra nos remete ao peso da Palavra em
nossas vidas. Em contraste ao peso da pedra as linhas são delicadas,
leves e tem relações com alguns números simbólicos que fazem parte da
história da arte sacra.<br />
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<img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9TMVq0w0BfM-r9ydPtGWgeXRGVmFhxvfbKJ6g43-NB7Gu60MDLEShIkBMJ_vYFoYBMd4ZBwteiUNeTfYm5pkFUT7HzKsSF1OBBxrGm6WqEjKDPkyKlys00QUff6YIYc0fHcdNSoPFK44/s640/IMG_20170708_180207982-01.jpeg" width="640" /><br />
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No altar o tampo é sustentado por um elemento central e outros seis
somando sete peças – 7 o número da perfeição. Suas linhas enfatizam o
formato de mesa do altar do sacrífico.<br />
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<img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRv3Ht73FmkaCyc5qZBwSYfsBcG0uNcxPfU9IP_85i3iIp0KhWmV-CLBZ7SpszCQMQY6rlTeW0LW5q2w_QO6O_Kz2UhhMFNK7sgd4SocIxBJL1Qg9jFqtU7ic6WosUGbfRx-3ClbUGgh0/s640/IMG_20170708_180408160_HDR-01.jpeg" width="640" /><br />
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Seguindo o mesmo conceito a parte superior que sustenta o evangeliário é
estruturado por quatro peças – os 4 evangelistas e a pia batismal segue
a tradição do formato octogonal – 8 do oitavo dia.<br />
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As imagens de NS do Carmo, Profeta Elias e São Tiago Maior assim como o
mobiliario citado estão envoltos por estruturas leves e elegantes de
formato livre simbolizando:<strong> o redemoinho que leva Elias; o manto que cai e o murmúrio de uma brisa ligeira.</strong><br />
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<strong><br /></strong>Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-42429585162509234212017-05-21T19:19:00.000-07:002017-05-22T23:53:39.458-07:00■ Como redesenhar uma Igreja antiga respeitando sua história <br />
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<strong>■ Igreja da pequena São Pedro Apóstolo de Gaspar</strong><br />
<strong><br /></strong>Na cidades de Olinda, Salvador, Ouro Preto e Petrópolis é possível observar expoentes do patrimônio arquitetônico brasileiro dos séculos XVI, XVII, XVIII, XIX. No início do século XX a arquitetura neoclássica eclética ainda era o padrão para edifícios públicos, sendo ao longo deste século complemente substituído pelo modernismo [estilo internacional]. Igrejas pequenas deste período específico vem sendo destruídas ou reformadas ao estilo da arquitetura comercial local.<br />
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A Igreja Nossa Senhora do Rosário faz parte deste período [paróquia foi criada em 1907] que em 1880 a freguesia de São Pedro Apóstolo de Gaspar [Itajaí] tornou-se um distrito do novo município de Blumenau.<br />
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Naquelas décadas pequenas localidades careciam que construtores com conhecimento arquitetônico, sendo grande parte das obras construídas de forma sólida porém de pouco valor artístico arquitetônico. A matriz do bairro barracão foge em partes a essa regra, possuindo uma bela torre, uma composição volumétrica equilibrada e uma abside de semi octógono.<br />
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Porém não se pode falar o mesmo de seu interior que possui um espaço tanto sem valor arquitetônico como espacialmente pouco apropriado para celebração. Parte pela obra em si, parte pelas reformas feitas o longo de mais de 100 anos. Sua fachada lateral também não possui o mesmo cuidado estético que a frontal.<br />
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O desafio de intervenção foi aumentar a capacidade da Igreja sendo que o valor arquitetônico estava na torre e na abside [frente e fundos] além de suas espessas paredes laterais de alvenaria portante técnica construtiva padrão para grandes edifícios na época.<br />
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<strong>■ Finalizando uma obra 100 anos depois</strong><br />
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Antes de iniciar a proposta devemos escolher entre dois caminhos opostos O Contraste, ou A Consonância. O Contraste pode ser:
discreto, somente funcional colocando a arquitetura antiga como a
verdadeira obra ou pode ser imponente, sendo tão grandioso quanto a obra
original.<br />
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Vemos intervenções de Contraste imponente nas Igrejas europeias do século
XVII, período em que grande parte das Igrejas paleocristãs, românicas,
renascentistas transformam-se em barrocas. A famosa catedral gótica de
Milão possui frontões barrocos. De Contraste discreto um belo exemplo é a pinacoteca de São Paulo.<br />
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O Consonante pode ser uma réplica, uma restauração, buscando somente algo que já tenha sido construído ou
projetado e não executado, como no caso de Igrejas demolidas por guerras
ou como na intervenção na Catedral da Sé em São Paulo que finalizou
elementos do projeto original.<br />
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Dentro do Consonante temos ainda: A Atualização; que também é uma reforma relativamente discreta que respeita
o estilo e os elementos arquitetônicos, porém com liberdade de criar
elementos novos subordinados a estética existente. Igrejas antigas adaptadas ao rito do concílio vaticano II recebem esta Atualização. Novos elementos são criados em completa
consonância com os antigos.<br />
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<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWFNr_U7g1seJ_9pnCsM4kmyl9K5rsrDqNVbbWz00g2eRPyiK_keGzHqLo5bS35tsNdejhq3VxGFeUUn5gpR39LtkpTMGFmgbswuzAAHs3l7OFOudiJ57yY0BexoN0AvCuehsIS90PEjU/s640/IMG_20170521_123355698_HDR-01+copy.jpg" style="text-align: center;" /><br />
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<strong>■ Proposta em consonância a linguagem inicial.</strong><br />
<strong><br /></strong>Dos conceitos citados acima foi adotado a intervenção Consonante e de Atualização para o projeto.<br />
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A solução foi aproveitar os anexos construídos depois da obra original, que formam uma planta em T com o presbitério em sua intersecção.<br />
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Uma ala deste T foi aproveitada para criar uma segunda assembléia e na
outra aproveitou-se o pé direito duplo para fazer a capela do santíssimo e o coro [equipe de canto] sobre ele em um
mezanino. Além de duas sacristias.<br />
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A estrutura da cobertura de
madeira estava condenada por anos de umidade excessiva. Aproveitou-se ao desenhar a nova estrutura metálica para substituir o forro horizontal para algo que
lembra o forro curvo original. Ampliando o espaço e elevando o pé direito sem intervir nas paredes existentes.<br />
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A estética de arcos ogivais e pilastras que delimitam os
diferentes módulos marcam a fachada do edifício, tais elementos
compositivos foram reproduzidos nas fachadas laterais e no interior da Igreja.<br />
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<span style="font-size: large;">O resultado foi que apesar de termos demolido e redesenhado 70% da edificação, todos que conversei [até os mais antigos membros da comunidade] identificaram a intervenção como uma restauração, continuaram vendo ali sua antiga igreja.</span><br />
<span style="font-size: large;"><br /></span>
<strong>■ Inauguração</strong><br />
<strong><br /></strong>
Dia 21 de maio de 2017 aconteceu a missa de Dedicação da Igreja Matriz Nossa Senhora do Rosário em Gaspar SC, presidida pelo bispo diocesano de Blumenau Dom Rafael Biernaski.<br />
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■ Localização | Gaspar – Santa Catarina<br />
■ Diocese de Blumenau - Paróquia Nossa Senhora do Rosário<br />
■ Pároco | Vilmar Tabares<br />
■ Autor | Arq Eduardo Faust<br />
■ Projetos | FAUST arquitetura & engenharia<br />
■ Equipe | Arq Gustavo da Luz; Arq Renato Campos;<br />
<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-51208998982433661032017-04-28T14:12:00.000-07:002018-11-19T20:46:32.495-08:00■ Igreja Matriz Menino Jesus de Praga | Presidente Prudente SP | Autor Ed.Faust■ Localização | Presidente Prudente – São Paulo<br />
■ Diocese de Presidente Prudente - Paróquia Menino Jesus de Praga<br />
■ Pároco | Sanderson Vergara<br />
■ Autor | Arq Eduardo Faust<br />
■ Projetos | FAUST arquitetura & engenharia<br />
■ Equipe | Arq Gustavo da Luz; Arq Renato Campos; Arq Wiliam Hodecker<br />
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<span style="background-color: white; color: #464646; font-family: "abel" , "helvetica" , "arial" , "lucida" , sans-serif; font-size: 14px;">Presidida pelo bispo da Diocese de Presidente Prudente, Dom Benedito, aconteceu dia 14/11/2018 a missa de dedicação da Igreja Menino Jesus de Praga em Presidente Prudente SP. Além do grande realizador da obra Padre Sanderson Vergara, também estavam presentes Padre Anderson Félix, Padre Paulo Valeriano, Padre Eduardo Biral, Padre Thiago, Padre Edcarlos, Padre Sandro Rogério, Padre Paulinho César, padre Armando Nochetti e demais membros da Diocese.</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7UM4edIlkvWLvtHvlaiHwV68WR4_dSlmGQPWI3M9SItg2EItXVpDZOluHQqVKraRTG5YS5uV6GjepYiIvDjV3MySOhKf9Egym9aXi7vLswpvVYA3C5GUG7-k9U-PdBrGVxyUrv875nFQ/s1600/145+%5BMJPraga%5D+IMG+01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="324" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7UM4edIlkvWLvtHvlaiHwV68WR4_dSlmGQPWI3M9SItg2EItXVpDZOluHQqVKraRTG5YS5uV6GjepYiIvDjV3MySOhKf9Egym9aXi7vLswpvVYA3C5GUG7-k9U-PdBrGVxyUrv875nFQ/s1600/145+%5BMJPraga%5D+IMG+01.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Projeto apresentado a paróquia em 2013</td></tr>
</tbody></table>
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<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-38885221202386396602017-04-24T16:17:00.001-07:002017-04-25T21:56:06.722-07:00■ Viagem à Ravena. Origem da arquitetura bizantina paleocristã. <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFyid342gHsYTA1SF5DXst9NWfp3tcfJ4OsMtX6fIjM-8XXoa3Fj-M9lDPL-Siw_O6H9Ei60U4m3z01qmUmRfg-CnYkiApoyZhfbwM2RxKmACAxrQOHM-9HWhLqWV6PkvdscMB-SpSRFI/s1600/PANO_20161116_101235-01.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFyid342gHsYTA1SF5DXst9NWfp3tcfJ4OsMtX6fIjM-8XXoa3Fj-M9lDPL-Siw_O6H9Ei60U4m3z01qmUmRfg-CnYkiApoyZhfbwM2RxKmACAxrQOHM-9HWhLqWV6PkvdscMB-SpSRFI/s640/PANO_20161116_101235-01.jpeg" width="640" /></a></div>
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<i>Ravenna</i> é a capital da província de <i>Ravenna</i> região de <i>Emilia-Romagna, </i>cituada no nordeste da Itália.<br />
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O período mais importante de Ravenna começa quando ela se torna a terceira capital do império romano do ocidente em 402. Com o fim do império em 476 o rei da Itália Odoacerus [Odoacro] mantem a capital.<br />
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Em 493 após longo conflito o vice-rei Teodorico toma a cidade, nos mais de 30 anos de governo ele constrói parte das grandes obras da cidade.<br />
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Em 540 entra em Ravenna o exército bizantino, colocando o fim do reinado dos godos. É neste período sob o domínio de Justiano I que a cidade viveu seu esplendor, o grande legado artístico e arquitetônico que hoje apreciamos descendem desta época.</div>
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Com o fim do império romano a cidade entra em declínio e ao longo dos anos é abandonada, o livro História de Ravenna vendido na cidade diz "Até a primeira metade do século XIX Ravenna segue sendo uma das províncias mais deprimidas e esquecidas da Itália setentrional."</div>
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Interessante é entender que o declínio de Ravenna foi importante para a preservação pois ao contrário de cidades prósperas como Roma ou Milão seus patrimônios bizantinos paleocristãos não foram convertidos em barrocos nos séculos XVII e XVII.</div>
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Ravenna é patrimônio cultural da humanidade segundo a UNESCO.<br />
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Após está breve introdução histórica vamos algumas curiosidades da viagem.<br />
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Itália é um dos países que mais trás visitantes para suas terras; para cidades famosas como Roma, Veneza, Milão, Florença, etc... Ravenna neste cenário é tida como uma cidade pouco turística. Vemos indícios disso no fato de não haver trem de alta velocidade para lá, a cidade mais próxima é Bologna.<br />
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Eu sai de Firenze [Florença] para Bologna e lá segui a Ravena. As diferenças nos usuários do trem ficaram claras, quando embarquei para Ravenna o idioma italiano ficou mais presente, ficando nítido que se tratava de passageiros regulares que para um turista é muito interessante, pois o turismo massivo de cidades como Roma e Firenze dificulta um pouco uma apreciação mais imersiva.<br />
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A grande importância de Ravenna na arte e arquitetura sacra está na preservação da arquitetura paleocristã também chamada de bizantina, sendo considerada o início da arquitetura Românica.</div>
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Basilica di San Vitale </span><br />
Os mosaicos da Basílica são referencia para arte sacra e em especial bizantina. Sua construção é contemporânea a Basílica Santa Sophia em Constantinopla [Istambul] - na época capital do império bizantino - e ambas são construídas com planta radial com cúpula central, uma variação das basílicas retangulares.<br />
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Museu Nacional de Ravenna </span><br />
Nas antigas instalações do mosteiro beneditino de São Vital está o museu nacional de Ravena, formado de 3 claustros. Seu acervo é composto desde arte helênica<br />
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Mausoléu de Galla Placidia </span><br />
No mesmo terreno da Basílica está o mausoléu de imperatriz Galla Placídia.<br />
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Basilica Sant Apollinare In Classe</span><br />
Próximo a Ravena está a cidade de Classe, lá está localizada uma das obras mais importantes da arte e arquitetura paleocristã, a Basílica de São Apolinário.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEx-1U9sP657NyBsyKVadeIt5QN74V58Zp-T9fV1D_lKxP1S_K1u1TLu1cEsbWDk2ITS-YXozbyTTiOJmhMhyIUz4Y1pVu85T5DvnmEjy-10Eh3y3OnKLSidiXthRsQaeQkEDvmTskdqw/s1600/20161116_153425.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEx-1U9sP657NyBsyKVadeIt5QN74V58Zp-T9fV1D_lKxP1S_K1u1TLu1cEsbWDk2ITS-YXozbyTTiOJmhMhyIUz4Y1pVu85T5DvnmEjy-10Eh3y3OnKLSidiXthRsQaeQkEDvmTskdqw/s640/20161116_153425.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Túmulo de San Apollinari</td></tr>
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Chiesa Santa Maria Maggiore.</span><br />
Faz parte do conjunto arquitetônico da Basilica di San Vitale.<br />
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> Piazza e m</span>onumento a Anita Garibaldi</span><br />
Minha família é oriunda e a maior parte vive no sul do estado de Santa Catarina, na região a cidade de maior valor histórico é Laguna ao qual sua ilustre filha é Anita Garibaldi - heroína de dois mundos. Caminhando por Ravenna descubro que assim como Dante Alighieri ela morreu aqui, e encontro uma Piazza Anita Garibaldi e o monumento a Heroína de dois mundos em frente ao Liceo Clássico Dante Alighieri.<br />
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Basilica Sant Francesco e a Tumba de Dante Alighieri </span><br />
O escritor da Divina Comédia viveu seus últimos 3 anos em Ravena, a convite do príncipe Guido Novello da Polenta.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhheGP0NNxLCXgYOqLZy91E5asEXBxv48q-SSIcAVC8cshfAh8Czq0spkj8ukoeAv3b2hOpZvG_ax1JGdUO01QB1YN6lLNrAOST6AB4eCyyQ-jrzMvi2Azv6H6_DEQBzX9lFiVxSVlGvSw/s1600/Vai+guido+da+polenta.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhheGP0NNxLCXgYOqLZy91E5asEXBxv48q-SSIcAVC8cshfAh8Czq0spkj8ukoeAv3b2hOpZvG_ax1JGdUO01QB1YN6lLNrAOST6AB4eCyyQ-jrzMvi2Azv6H6_DEQBzX9lFiVxSVlGvSw/s640/Vai+guido+da+polenta.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Via Guido Novello da Polenta.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><b style="font-size: medium; text-align: start;">Basilica Sant Francesco</b></td></tr>
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Mausoleo di Teodorico</span><br />
Um pouco afastado do centro histórico da cidade o mausóleo fica próximo ao parque Rocca Brancaleone.<br />
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<tr><td class="tr-caption" style="text-align: center;">Rocca Brancaleone</td></tr>
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<span style="font-size: large;"><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;">■</span><span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"> </span>Cattedrale della Risurrezione di Nostro Signore Gesù Cristo</span><br />
A catedral é um exemplo de Igreja que foi reformada e "atualizada" ao estilo de outros tempos, como o barroco.<br />
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Não fotografei tantas outras belas obras que visitei como a Igreja de São Apolinário Novo; museu arcebispal, etc...<br />
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Para quem quiser conhecer a origem da arte cristã, vá a Ravena.<br />
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Bônus:<br />
Aconselho a Piadina de Sququerone [tipo de mussarela da região] com prosciutto do restaurante La Piadina del Melarancio.<br />
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<span style="font-size: large;">Arq Eduardo Faust</span><br />
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Na bibliografia usei além do E.H Gombrish:<br />
The Pelican History of Art [Early Christian and byzantine arch] do Richard Krautheimer.<br />
Ravena Ciudad de Arte Edizioni Salbaroli.<br />
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<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com2Ravenna, Province of Ravenna, Italy44.4183598 12.20352939999997944.3276198 12.042167899999979 44.509099799999994 12.364890899999979tag:blogger.com,1999:blog-2718924169236256520.post-41846046726515973272017-04-05T18:13:00.000-07:002017-04-05T18:24:41.882-07:00■ Inauguração Igreja São Luis Montfort | Caieiras SP | Autor Arq Ed.Faust<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">■ Localização | Caieiras - São Paulo SP</span><br />
<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">■ Diocese de Bragança Paulista – Paróquia Santa Rita de Cássia</span><br />
<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">■ Pároco | Padre Wagner Navarro</span><br />
<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">■ Autor | Arq Eduardo Faust</span><br />
<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">■ Projetos | FAUST arquitetura & engenharia</span><br />
<span style="background-color: white; color: #666666; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13.86px;">■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato</span><br />
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<span class=" _50f4">Com missa presidida pelo Bispo Diocesano de Bragança Paulista, </span>Dom Sérgio Aparecido Colombo,<span class=" _50f4"> aconteceu
no dia 01 de abril de 2017 a dedicação da Igreja São Luis de Montfort na cidade de Caieiras SP. Participaram da celebração, Pároco </span><span class=" _50f4">Padre Wagner </span>Navarro,<span class=" _50f4"> </span>Padre Denis-Ricard, <span class=" _50f4">Padre </span>Tiago Rodrigues da Costa, Padre Alexandre Monteiro, Diácono Diego Braga, Diácono Danilo Teixeira da Silva, Diácono Diogo Albuquerque.<br />
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<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-1749524067418022802017-01-24T14:49:00.000-08:002018-08-12T22:00:44.659-07:00■ Igreja Matriz NS Aparecida | Moema São Paulo SP | Autor Arq Ed.Faust<br />
■ Localização | Moema - São Paulo SP<br />
■ Arquidiocese de São Paulo – Paróquia Nossa Senhora Aparecida<br />
■ Pároco | Padre Ederaldo Macedo de Oliveira<br />
■ Autor | Arq Eduardo Faust<br />
■ Projetos | FAUST arquitetura & engenharia<br />
■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato<br />
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Video 01 | Inauguração da primeira etapa da Igreja.<br />
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<span style="text-align: center;">Video 02 | Clip da Banda Angra com participação da Cantora Sandy. Filmado na Igreja Matriz de Moema após a primeira etapa da reforma.</span><br />
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A construção da Igreja está vinculada a chegada dos Padres Salvatorianos em Moema no bairro Indianópolis em 1933. Na década de 40 o edifício ganhou o desenho volumétrico que encontra-se até hoje.<br />
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<b>■ Valor histórico </b><br />
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A imagem da padroeira foi adquirida na cidade de Aparecida por uma fiel para a Igreja de Santa Cecília em 1928. Anos depois participou da famosa procissão de 08 de setembro de 1932 e desde então encontra-se no retábulo do presbitério.<br />
A Igreja é primeira Igreja dedicada a NS Aparecida depois do santuário.<br />
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<b>■ Virtais</b><br />
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A iconografia presente nos vitrais possui uma rica simbologia e uma bela arte.<br />
24 vitrais da cúpula ilustram ladainha de Nossa Senhora<br />
12 vitrais da abside ilustram a história de Maria<br />
8 vitrais das naves laterais ilustram grandes santuários marianos brasileiros.<br />
14 vitrais da nave central ilustram santos e padres devotos de Maria<br />
4 vitrais em composição trípticas no transepto ilustram: NS Assunção, NS Desterro, NS Fátima e o Divino Salvador.<br />
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Clip da Banda Angra com participação da Cantora Sandy. Filmado na Igreja Matriz de Moema.</div>
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<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-62739242276576670752016-09-03T12:23:00.001-07:002016-09-03T12:24:54.932-07:00Palestra 09/09/2016 | Centro Universitário Unifacvest | Lages SC<div class="separator" style="clear: both; text-align: center;">
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<br />Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com0tag:blogger.com,1999:blog-2718924169236256520.post-32381701485739839382016-09-03T12:02:00.001-07:002016-10-06T16:25:54.448-07:00■ Igreja Matriz Sto Antônio | Belo Horizonte MG | Autor Arq Ed.Faust<br />
■ Localização | Venda Nova - Belo Horizonte MG<br />
■ Arquidiocese de Belo Horizonte – Paróquia Santo Antônio<br />
■ Pároco | José Alves de Deus [Padre Zezinho] e Pe Célio Diniz<br />
■ Autor | Arq Eduardo Faust<br />
■ Projetos | FAUST arquitetura & engenharia<br />
■ Equipe | Arq Egvar; Arq Gustavo; Arq Renato<br />
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Torre simboliza a consagração da eucaristia<br />
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O edifício segue o tradicional formato cruciforme<br />
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Franciscanos:<br />
3 nós do cordão<br />
3 conselhos evangélicos<br />
Pobreza <br />
Obediência <br />
Castidade<br />
3 capelas:<br />
Capela do Santíssimo<br />
Capela Santo Antônio <br />
Capela São Francisco<br />
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A composição da estrutura de madeira aparente da nave central simboliza os galhos da nogueira e do lírio <br />
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Os 4 rios do paraíso que brotam das extremidades do edifício encontram-se sob o altar - o centro da liturgia. <br />
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Em seus milagres São Francisco fazia o sinal do Tau sobre os ferimentos.<br />
“Com ele selava as cartas e marcava as paredes das pequenas celas” cf.LM4,9;2,9;3Cel3<br />
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Nogueira<br />
Pouco antes de morrer,Frei Antônio pediu que armassem sua cela no topo de uma nogueira frondosa.<br />
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O projeto da portada foi baseado no ícone que mostra Santo Antônio sobre a nogueira. <br />
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Capela Santo Antônio <br />
Santo Antônio e alguns de seus símbolos: <br />
- Menino Jesus sobre o livro<br />
- Hábito franciscano<br />
- Lírio <br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx66cFXYonmGYPxw6FA2TR4qX5veQKs7p8thixIU3bRhIGh8KU8WSghg2j8tDptmUIA93cR3xOEjViqNRFkx4H6RVr7LiK9rv-Kwm1JoKFm7urnjXY5Dj2khLSYAboGY4KdC5GtLeimCY/s640/WhatsApp+Image+2016-09-01+at+23.30.50.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" tabindex="0"><span class="hasCaption">Arcebispo Metropolitano de Belo Horizonte, Dom Walmor Oliveira de Azevedo, Pe Zezinho e Pe Célio.</span></span></td></tr>
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Arq Eduardo Fausthttp://www.blogger.com/profile/12177240971033807530noreply@blogger.com02700-488 Venda Nova, Portugal38.7553352 -9.22026000000005313.233300699999997 -50.528854000000052 64.2773697 32.088333999999946